Items where Author is "Hopkins, Lisa"

HOPKINS, Lisa (2024). Titus Andronicus and the wicked streets of Rome. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies.

HOPKINS, Lisa (2024). Addressing the Audience and Making History: Soliloquies in Richard III. Humanities, 13 (1): 24.

HOPKINS, Lisa (2023). ‘Now let the strucken deer go weep’: what does it mean or think? Notes & Queries, p. 16.

HOPKINS, Lisa (2022). Staging St George after the Reformation. Literature, 2 (3), 189-199.

HOPKINS, Lisa (2022). John Ford's Strange Truth. Critical Survey, 34 (2), 93-104.

HOPKINS, Lisa (2022). Roman walls in English Renaissance Writing. Cahiers Elisabethains: late medieval and renaissance English studies.

HOPKINS, Lisa (2021). Revived with Care: John Fletcher's Plays on the British Stage, 1885-2020 [Book review]. Cahiers Elisabethains: late medieval and renaissance English studies, 106 (1), 136-138.

HOPKINS, Lisa (2021). “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart. Sederi Yearbook, 31, 55-72.

HOPKINS, Lisa (2021). A Room of Everyone's Own: Sharing Space in Pride and Prejudice. Persuasions : the Jane Austen Journal On-Line, 41 (1).

HOPKINS, Lisa (2020). Innovation and experiment in Webster's the Duchess of Malfi. Voprosy literatury (2), 157-166.

HOPKINS, Lisa (2020). Criminally Funny: Sarah Caudwell’s Inverted Janeism. Persuasions: The Jane Austen Journal On-Line, 40 (2).

HOPKINS, Lisa (2019). King John (Theatre Review). Multicultural Shakespeare, 20 (1), 181-182.

HOPKINS, Lisa (2018). Herb Paris, Romeo and Juliet and Thomas Hesketh. Notes and Queries, 65 (4), 530-533.

HOPKINS, Lisa (2018). Introduction: Early modern drama on screen. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 12 (1).

HOPKINS, Lisa (2017). The Danish romance play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman. Early modern literary studies, 27.

HOPKINS, Lisa (2017). Birthing modernity: the BBC’s Count Dracula (1977). Journal of Adaptation in Film & Performance, 10 (3), 217-226.

HOPKINS, Lisa (2017). The Masters of the Revels and Elizabeth I's Court Theatre [Book Review]. Modern Language Review, 112 (4), 984-985.

HOPKINS, Lisa (2017). Editorial. Journal of Adaptation in Film & Performance, 10 (2), 91-92.

HOPKINS, Lisa (2017). I am Ìyálóde of tì still: A Yoruba Duchess of Malfi. Journal of Adaptation in Film & Performance, 10 (2), 111-125.

HOPKINS, Lisa (2017). Introduction: John Ford in Performance 2014-2016. Early modern literary studies (SI 26).

HOPKINS, Lisa (2017). Perkin Warbeck and Massinger. Early modern literary studies (SI 26).

HOPKINS, Lisa (2017). Moving Marlowe: The Jew of Malta on the Caroline Stage. Marlowe Studies.

HOPKINS, Lisa (2016). Love and war on Venus’ Island: Othello and the lover’s melancholy. Journal of Mediterranean Studies, 25 (1), 51-63.

HOPKINS, Lisa (2016). Shakespearean allusion and the detective fiction of Georgette Heyer. Palgrave Communications, 2 (16052), 1-7.

HOPKINS, Lisa (2016). Play review: The Lady's Trial. Cahiers Élisabéthains, 89 (1), 109-110.

HOPKINS, Lisa (2015). A matter of life and death: the fourth act in Shakespearean tragedy. Ben Jonson Journal, 22 (2), 188-207.

HOPKINS, Lisa (2015). Review of Ford's Love's Sacrifice(directed by Matthew Dunster for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 16 May 2015. Shakespeare, 12 (1), 81-82.

HOPKINS, Lisa (2015). Staging England in the Elizabethan History Play: Performing National Identity. Ralf Hertel. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. ix + 272 pp. $119.95. [book review]. Renaissance quarterly, 68 (2), 774-775.

HOPKINS, Lisa (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534.

HOPKINS, Lisa (2013). Point, counterpoint, needlepoint: the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566.

HOPKINS, Lisa (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99.

HOPKINS, Lisa and MACMAHON, Barbara (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17.

HOPKINS, Lisa (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18.

HOPKINS, Lisa (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348.

HOPKINS, Lisa (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88.

HOPKINS, Lisa (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150.

HOPKINS, Lisa (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34.

HOPKINS, Lisa (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9.

HOPKINS, Lisa (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40.

HOPKINS, Lisa (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459.

HOPKINS, Lisa (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10.

HOPKINS, Lisa (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80.

HOPKINS, Lisa (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2).

HOPKINS, Lisa (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

HOPKINS, Lisa (1999). "Touching tochets": 'Perkin Warbeck' and the Buggery Statute (Plumbing hidden depths of transgressive sexual subversion and deviation in 17th-century English theatre). Renaissance Quarterly, 52 (2), 384-401.

HOPKINS, Lisa (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1).

HOPKINS, Lisa (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

HOPKINS, Lisa (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

HOPKINS, Lisa (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2).

HOPKINS, Lisa (2022). Drama by Jane Lumley (née Lady Jane Fitzalan), 1537-1578. In: The Palgrave Encylopedia of Early Modern Women's Writing. Palgrave.

HOPKINS, Lisa (2021). ‘All’s Well That Ends Well: Shakespearean Echoes in Heyer’s Regency Novels’. In: RAYNER, Samantha and WILKINS, Kim, (eds.) Georgette Heyer, History and Historical Fiction. London, UCL Press, 147-161.

HOPKINS, Lisa (2019). Beautiful polecats: the living and the dead in Julius Caesar. In: SMITH, Emma, (ed.) Shakespeare Survey. Cambridge University Press, 160-170.

HOPKINS, Lisa (2019). Austen and Shakespeare, detectives. In: CANO, Marina and GARCIA-PERIAGO, Rosa, (eds.) Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance. Cham, Switzerland, Springer International Publishing, 313-334.

HOPKINS, Lisa (2018). Bloody brothers and suffering sisters: The Duchess of Malfi and Harry Potter. In: GERZIC, Marina and NORRIE, Aiden, (eds.) From Medievalism to Early-Modernism: Adapting the English Past. Routledge Studies in Medieval Literature and Culture . New York, Routledge, 117-133.

HOPKINS, Lisa (2018). Georgette Heyer: what Austen left out. In: HOPKINS, Lisa, (ed.) After Austen: reinventions, rewritings, revisitings. Palgrave Macmillan, 61-79.

HOPKINS, Lisa (2018). Introduction: looking at Austen. In: HOPKINS, Lisa, (ed.) After Austen: reinventions, rewritings, revisitings. Palgrave Macmillan, 1-15.

HOPKINS, Lisa (2018). Comedies of the Green World: A Midsummer Night's Dream, As You Like It and Twelfth Night. In: HIRSCHFELD, Heather, (ed.) The Oxford Handbook of Shakespearean Comedy. Oxford, Oxford University Press, 520-536.

HOPKINS, Lisa (2018). Strange truths: the Stanleys of Derby on the English Renaissance stage. In: Shakespeare's histories and counter-histories. Manchester University Press, 85-100.

HOPKINS, Lisa (2018). A man with a map: The Millennial Macbeth. In: HARTLEY, Andrew James, (ed.) Shakespeare and Millennial fiction. Cambridge, Cambridge University Press, 145-158.

HOPKINS, Lisa (2017). ‘Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts’. In: KRAMP, Michael, (ed.) Jane Austen and Masculinity. Transits: Literature, Thought & Culture 1650-1850 . Lanham, Maryland, Bucknell University Press and Rowman & Littlefield.

HOPKINS, Lisa (2017). Christopher Marlowe and Religion. In: The Oxford Handbook of Early Modern English Literature and Religion. Oxford Handbooks . Oxford, England, Oxford UP, 309-323.

HOPKINS, Lisa (2017). Pears and statues. In: Romeo and Juliet. Critical Insights . Ipswich, MA, H.W. Wilson Publishing Co., 216-230.

HOPKINS, Lisa (2016). The concealed fancies and Cavendish identity. In: EDWARDS, Peter and GRAHAM, Elpseth, (eds.) Authority, authorship and aristocratic identity in Seventeenth-Century England: William Cavendish, Ist Duke of Newcastle, and his political, social and cultural connections. Rulers & Elites (9). Leiden, Brill, 111-128.

HOPKINS, Lisa (2015). New directions: Othello and his brothers. In: EVANS, Robert C., (ed.) Othello: A Critical Reader. Arden Early Modern Drama . London, England, Bloomsbury, 173-191.

HOPKINS, Lisa (2013). The dark side of the moon: Semiramis and Titania. In: CONNOLLY, Annaliese and HOPKINS, Lisa, (eds.) Goddesses and Queens: The iconography of Elizabeth I. Manchester University Press, 117-135.

HOPKINS, Lisa (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In: PRAKASH, A. and DAHIYA, S. P. S., (eds.) The critic Shakespeare: essays in appreciation. Haryana, India, The Shakespeare Association, 71-91.

HOPKINS, Lisa, SIEMENS, Raymond G. and STEGGLE, Matthew (2008). EMLS : a case study in the development of an ejournal. In: BOWEN, William R. and SIEMENS, Raymond G., (eds.) New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies . Tempe, Arizona, Iter, 144-160.

HOPKINS, Lisa (2007). ‘Gollum and Caliban: Evolution and Design’. In: CROFT, Janet Brennan, (ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. Critical explorations in science fiction and fantasy . Jefferson, N.C., McFarland, 281-293.

HOPKINS, Lisa (2005). Cleopatra and the myth of Scota. In: DEATS, Sarah Munson, (ed.) Antony and Cleopatra : new critical essays. Shakespeare criticism . Routledge, 231-242.

HOPKINS, Lisa (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In: CUDDY, Lois A. and ROCHE, Claire M., (eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. Essays on ideological conflict and complicity . Bucknell University Press, 89-101.

HOPKINS, Lisa (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In: STARKS, Lisa S and LEHMANN, Courtney, (eds.) Spectacular Shakespeare : critical theory and popular cinema. Fairleigh Dickinson University Press, 47-61.

HOPKINS, Lisa (1997). Neighbourhood in Henry V. In: BURNETT, Mark Thornton and WRAY, Ramona, (eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan.

HOPKINS, Lisa (2017). From the Romans to the Normans on the English Renaissance Stage. Medieval Institute Publications. (Unpublished)

HOPKINS, Lisa (2016). Shakespearean allusion in crime fiction: DCI Shakespeare. Palgrave Shakespeare Studies . Palgrave Macmillan. (In Press)

HOPKINS, Lisa (2014). Renaissance drama on the edge. Ashgate.

HOPKINS, Lisa (2011). Drama and the Succession to the Crown, 1561-1633. Studies in performance and early modern drama . Ashgate.

HOPKINS, Lisa (2009). Relocating Shakespeare and Austen on Screen. Basingstoke, Palgrave Macmillan.

HOPKINS, Lisa (2008). The cultural uses of the Caesars on the English Renaissance stage. Studies in performance and early modern drama . Aldershot, Ashgate.

HOPKINS, Lisa and STEGGLE, Matthew (2006). Renaissance Literature and Culture. Introductions to British Literature and Culture . London, Continuum.

HOPKINS, Lisa and RUTTER, Tom, eds. (2020). A companion to the Cavendishes writing, patronage, and material culture. Arc Humanities Press.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester, Manchester University Press.