Items where Author is "Hopkins, Lisa"

HOPKINS, Lisa (2022). Drama by Jane Lumley (née Lady Jane Fitzalan), 1537-1578. In: The Palgrave Encylopedia of Early Modern Women's Writing. Palgrave.

HOPKINS, Lisa (2018). Introduction: looking at Austen. In: HOPKINS, Lisa, (ed.) After Austen: reinventions, rewritings, revisitings. Palgrave Macmillan, 1-15.

HOPKINS, Lisa (2017). Pears and statues. In: Romeo and Juliet. Critical Insights . Ipswich, MA, H.W. Wilson Publishing Co., 216-230.

HOPKINS, Lisa (2016). Shakespearean allusion and the detective fiction of Georgette Heyer. Palgrave Communications, 2 (16052), 1-7.

HOPKINS, Lisa (2024). Titus Andronicus and the wicked streets of Rome. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies.

HOPKINS, Lisa (2024). Addressing the Audience and Making History: Soliloquies in Richard III. Humanities, 13 (1): 24.

HOPKINS, Lisa (2023). ‘Now let the strucken deer go weep’: what does it mean or think? Notes & Queries, p. 16.

HOPKINS, Lisa (2022). Staging St George after the Reformation. Literature, 2 (3), 189-199.

HOPKINS, Lisa (2022). John Ford's Strange Truth. Critical Survey, 34 (2), 93-104.

HOPKINS, Lisa (2022). Roman walls in English Renaissance Writing. Cahiers Elisabethains: late medieval and renaissance English studies.

HOPKINS, Lisa (2021). Revived with Care: John Fletcher's Plays on the British Stage, 1885-2020 [Book review]. Cahiers Elisabethains: late medieval and renaissance English studies, 106 (1), 136-138.

HOPKINS, Lisa (2021). “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart. Sederi Yearbook, 31, 55-72.

HOPKINS, Lisa (2021). ‘All’s Well That Ends Well: Shakespearean Echoes in Heyer’s Regency Novels’. In: RAYNER, Samantha and WILKINS, Kim, (eds.) Georgette Heyer, History and Historical Fiction. London, UCL Press, 147-161.

HOPKINS, Lisa (2021). A Room of Everyone's Own: Sharing Space in Pride and Prejudice. Persuasions : the Jane Austen Journal On-Line, 41 (1).

HOPKINS, Lisa and RUTTER, Tom, eds. (2020). A companion to the Cavendishes writing, patronage, and material culture. Arc Humanities Press.

HOPKINS, Lisa (2020). Innovation and experiment in Webster's the Duchess of Malfi. Voprosy literatury (2), 157-166.

HOPKINS, Lisa (2020). Criminally Funny: Sarah Caudwell’s Inverted Janeism. Persuasions: The Jane Austen Journal On-Line, 40 (2).

HOPKINS, Lisa (2019). King John (Theatre Review). Multicultural Shakespeare, 20 (1), 181-182.

HOPKINS, Lisa (2018). Bloody brothers and suffering sisters: The Duchess of Malfi and Harry Potter. In: GERZIC, Marina and NORRIE, Aiden, (eds.) From Medievalism to Early-Modernism: Adapting the English Past. Routledge Studies in Medieval Literature and Culture . New York, Routledge, 117-133.

HOPKINS, Lisa (2018). Georgette Heyer: what Austen left out. In: HOPKINS, Lisa, (ed.) After Austen: reinventions, rewritings, revisitings. Palgrave Macmillan, 61-79.

HOPKINS, Lisa (2018). Herb Paris, Romeo and Juliet and Thomas Hesketh. Notes and Queries, 65 (4), 530-533.

HOPKINS, Lisa (2018). Comedies of the Green World: A Midsummer Night's Dream, As You Like It and Twelfth Night. In: HIRSCHFELD, Heather, (ed.) The Oxford Handbook of Shakespearean Comedy. Oxford, Oxford University Press, 520-536.

HOPKINS, Lisa (2018). Introduction: Early modern drama on screen. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 12 (1).

HOPKINS, Lisa (2018). Strange truths: the Stanleys of Derby on the English Renaissance stage. In: Shakespeare's histories and counter-histories. Manchester University Press, 85-100.

HOPKINS, Lisa (2018). A man with a map: The Millennial Macbeth. In: HARTLEY, Andrew James, (ed.) Shakespeare and Millennial fiction. Cambridge, Cambridge University Press, 145-158.

HOPKINS, Lisa (2017). The Danish romance play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman. Early modern literary studies, 27.

HOPKINS, Lisa (2017). ‘Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts’. In: KRAMP, Michael, (ed.) Jane Austen and Masculinity. Transits: Literature, Thought & Culture 1650-1850 . Lanham, Maryland, Bucknell University Press and Rowman & Littlefield.

HOPKINS, Lisa (2017). Birthing modernity: the BBC’s Count Dracula (1977). Journal of Adaptation in Film & Performance, 10 (3), 217-226.

HOPKINS, Lisa (2017). The Masters of the Revels and Elizabeth I's Court Theatre [Book Review]. Modern Language Review, 112 (4), 984-985.

HOPKINS, Lisa (2017). Editorial. Journal of Adaptation in Film & Performance, 10 (2), 91-92.

HOPKINS, Lisa (2017). I am Ìyálóde of tì still: A Yoruba Duchess of Malfi. Journal of Adaptation in Film & Performance, 10 (2), 111-125.

HOPKINS, Lisa (2017). Christopher Marlowe and Religion. In: The Oxford Handbook of Early Modern English Literature and Religion. Oxford Handbooks . Oxford, England, Oxford UP, 309-323.

HOPKINS, Lisa (2017). Introduction: John Ford in Performance 2014-2016. Early modern literary studies (SI 26).

HOPKINS, Lisa (2017). Perkin Warbeck and Massinger. Early modern literary studies (SI 26).

HOPKINS, Lisa (2017). Moving Marlowe: The Jew of Malta on the Caroline Stage. Marlowe Studies.

HOPKINS, Lisa (2015). A matter of life and death: the fourth act in Shakespearean tragedy. Ben Jonson Journal, 22 (2), 188-207.

HOPKINS, Lisa (2015). New directions: Othello and his brothers. In: EVANS, Robert C., (ed.) Othello: A Critical Reader. Arden Early Modern Drama . London, England, Bloomsbury, 173-191.

HOPKINS, Lisa (2015). Staging England in the Elizabethan History Play: Performing National Identity. Ralf Hertel. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. ix + 272 pp. $119.95. [book review]. Renaissance quarterly, 68 (2), 774-775.

HOPKINS, Lisa (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534.

HOPKINS, Lisa (2013). Point, counterpoint, needlepoint: the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566.

HOPKINS, Lisa (2013). The dark side of the moon: Semiramis and Titania. In: CONNOLLY, Annaliese and HOPKINS, Lisa, (eds.) Goddesses and Queens: The iconography of Elizabeth I. Manchester University Press, 117-135.

HOPKINS, Lisa and MACMAHON, Barbara (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17.

HOPKINS, Lisa (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18.

HOPKINS, Lisa (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In: PRAKASH, A. and DAHIYA, S. P. S., (eds.) The critic Shakespeare: essays in appreciation. Haryana, India, The Shakespeare Association, 71-91.

HOPKINS, Lisa (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88.

HOPKINS, Lisa (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9.

HOPKINS, Lisa (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10.

HOPKINS, Lisa (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80.

HOPKINS, Lisa (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2).

HOPKINS, Lisa (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

HOPKINS, Lisa (1999). "Touching tochets": 'Perkin Warbeck' and the Buggery Statute (Plumbing hidden depths of transgressive sexual subversion and deviation in 17th-century English theatre). Renaissance Quarterly, 52 (2), 384-401.

HOPKINS, Lisa (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1).

HOPKINS, Lisa (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

HOPKINS, Lisa (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

HOPKINS, Lisa (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2).

HOPKINS, Lisa (2019). Beautiful polecats: the living and the dead in Julius Caesar. In: SMITH, Emma, (ed.) Shakespeare Survey. Cambridge University Press, 160-170.

HOPKINS, Lisa (2019). Austen and Shakespeare, detectives. In: CANO, Marina and GARCIA-PERIAGO, Rosa, (eds.) Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance. Cham, Switzerland, Springer International Publishing, 313-334.

HOPKINS, Lisa (2017). From the Romans to the Normans on the English Renaissance Stage. Medieval Institute Publications. (Unpublished)

HOPKINS, Lisa (2016). Love and war on Venus’ Island: Othello and the lover’s melancholy. Journal of Mediterranean Studies, 25 (1), 51-63.

HOPKINS, Lisa (2016). The concealed fancies and Cavendish identity. In: EDWARDS, Peter and GRAHAM, Elpseth, (eds.) Authority, authorship and aristocratic identity in Seventeenth-Century England: William Cavendish, Ist Duke of Newcastle, and his political, social and cultural connections. Rulers & Elites (9). Leiden, Brill, 111-128.

HOPKINS, Lisa (2016). Play review: The Lady's Trial. Cahiers Élisabéthains, 89 (1), 109-110.

HOPKINS, Lisa (2016). Shakespearean allusion in crime fiction: DCI Shakespeare. Palgrave Shakespeare Studies . Palgrave Macmillan. (In Press)

HOPKINS, Lisa (2015). Review of Ford's Love's Sacrifice(directed by Matthew Dunster for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 16 May 2015. Shakespeare, 12 (1), 81-82.

HOPKINS, Lisa (2014). Renaissance drama on the edge. Ashgate.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester, Manchester University Press.

HOPKINS, Lisa (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99.

HOPKINS, Lisa (2011). Drama and the Succession to the Crown, 1561-1633. Studies in performance and early modern drama . Ashgate.

HOPKINS, Lisa (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348.

HOPKINS, Lisa (2009). Relocating Shakespeare and Austen on Screen. Basingstoke, Palgrave Macmillan.

HOPKINS, Lisa, SIEMENS, Raymond G. and STEGGLE, Matthew (2008). EMLS : a case study in the development of an ejournal. In: BOWEN, William R. and SIEMENS, Raymond G., (eds.) New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies . Tempe, Arizona, Iter, 144-160.

HOPKINS, Lisa (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150.

HOPKINS, Lisa (2008). The cultural uses of the Caesars on the English Renaissance stage. Studies in performance and early modern drama . Aldershot, Ashgate.

HOPKINS, Lisa (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34.

HOPKINS, Lisa (2007). ‘Gollum and Caliban: Evolution and Design’. In: CROFT, Janet Brennan, (ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. Critical explorations in science fiction and fantasy . Jefferson, N.C., McFarland, 281-293.

HOPKINS, Lisa and STEGGLE, Matthew (2006). Renaissance Literature and Culture. Introductions to British Literature and Culture . London, Continuum.

HOPKINS, Lisa (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40.

HOPKINS, Lisa (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459.

HOPKINS, Lisa (2005). Cleopatra and the myth of Scota. In: DEATS, Sarah Munson, (ed.) Antony and Cleopatra : new critical essays. Shakespeare criticism . Routledge, 231-242.

HOPKINS, Lisa (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In: CUDDY, Lois A. and ROCHE, Claire M., (eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. Essays on ideological conflict and complicity . Bucknell University Press, 89-101.

HOPKINS, Lisa (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In: STARKS, Lisa S and LEHMANN, Courtney, (eds.) Spectacular Shakespeare : critical theory and popular cinema. Fairleigh Dickinson University Press, 47-61.

HOPKINS, Lisa (1997). Neighbourhood in Henry V. In: BURNETT, Mark Thornton and WRAY, Ramona, (eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan.