Items where Author is "Steggle, Matthew"

STEGGLE, Matthew (2017). Philip Henslowe's Artificial Cow. Medieval and Renaissance Drama in England, 30. [Article]

STEGGLE, Matthew (2016). 'The Comedy of a Duke of Ferrara' in 1598. Early Theatre, 19 (2), 139-156. [Article]

STEGGLE, Matthew (2016). Two Emendations to Measure for Measure. Notes and Queries, 63 (3), 425-427. [Article]

STEGGLE, Matthew (2012). A Lost Turk Play : actors Mufti Nassuf &c (1614–42). Ben Jonson Journal, 19 (1), 45-64. [Article]

STEGGLE, Matthew (2010). Prospero and plagiarism : Early Modern Studies and the rise of Wikipedia. Digital Studies / Le champ numérique, 2 (1). [Article]

STEGGLE, Matthew (2001). Brome, Covent Garden, and 1641. Renaissance forum, 5 (2). [Article]

STEGGLE, Matthew (2017). Jordan and Sharpham: A lost play and an annotated playbook. Notes and Queries, 64 (3), 403-406. [Article]

STEGGLE, Matthew (2017). Flight and spaceflight in Romeo and Juliet. In: EVANS, Robert, (ed.) Romeo and Juliet. Critical Insights . Salem Press. (In Press) [Book Section]

STEGGLE, Matthew (2016). Ben Jonson and Performance. In: GIDDENS, Eugene, (ed.) The Oxford Handbook of Ben Jonson. Oxford, Oxford University Press. (In Press) [Book Section]

STEGGLE, Matthew (2016). The humours in humour: Shakespeare and early modern psychology. In: The Oxford Handbook of Shakespearean Comedy. Oxford University Press. (In Press) [Book Section]

STEGGLE, Matthew (2015). Digital humanities and the lost drama of early modern England : ten case studies. Studies in performance and early modern drama . Farnham, Ashgate. [Authored Book]

STEGGLE, Matthew (2015). William Shakespeare, Measure for measure. In: GREENBLATT, Stephen, (ed.) The Norton Shakespeaere. New York, Norton, 2171-2240. [Book Section]

STEGGLE, Matthew (2015). Othello, the Moor of London : Shakespeare's Black Britons. In: EVANS, Robert C., (ed.) Othello : a critical reader. Arden Early Modern Drama Guides . London, Bloomsbury, 103-124. [Book Section]

STEGGLE, Matthew (2015). The Monster in the Corner: Plague and The Three Ladies of London. In: OSTOVICH, Helen and GOUGH, Melinda, (eds.) Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context. McMaster University. [Book Section]

STEGGLE, Matthew (2014). The cruces of Measure for Measure and EEBO-TCP. The Review of English Studies, 65 (270), 438-455. [Article]

CHETA, Arun and STEGGLE, Matthew (2014). Thomas Nashe reads The Nosegay of Morall Philosophie. Notes and Queries, 61 (2), 221-223. [Article]

STEGGLE, Matthew (2014). Lost, or rather surviving as a very short document. In: MCINNIS, David and STEGGLE, Matthew, (eds.) Lost Plays in Shakespeare's England. London, Palgrave Macmillan, 72-83. [Book Section]

STEGGLE, Matthew (2013). Notes towards an analysis of early modern applause. In: CRAIK, Katherine A. and POLLARD, Tanya, (eds.) Shakespearean sensations : experiencing literature in early modern England. Cambridge, Cambridge University Press, 118-137. [Book Section]

STEGGLE, Matthew (2013). The Alchemist : the state of the art. In: JULIAN, Erin and OSTOVICH, Helen, (eds.) The Alchemist: A Critical Reader. Arden Early Modern Drama Guides . London, Bloomsbury, 75-103. [Book Section]

RASMUSSEN, Eric and STEGGLE, Matthew (2012). Cynthia’s Revels, or The Fountain of Self-Love, revised scenes from the 1616 folio. In: The Cambridge Edition of the Works of Ben Jonson. Cambridge, Cambridge University Press. [Book Section]

STEGGLE, Matthew (2012). Richard Brome. In: SULLIVAN, Garrett A., STEWART, Alan, LEMON, Rebecca, MCDOWELL, Nicholas and RICHARDS, Jennifer, (eds.) The Encyclopedia of English Renaissance Literature. Wiley-Blackwell Encyclopedia of Literature . Oxford, Blackwell. [Book Section]

STEGGLE, Matthew and RASMUSSEN, Eric (2012). Ben Jonson, Cynthia's Revels, or the Fountain of Self-Love. In: BUTLER, Martin, BEVINGTON, David and DONALDSON, Ian, (eds.) The Cambridge Edition of the Works of Ben Jonson. Cambridge, Cambridge University Press, 429-548. [Book Section]

STEGGLE, Matthew (2012). The Comedy of Errors. In: BAKER, William and WOMACK, Kenneth, (eds.) The Facts on File Companion to Shakespeare. Facts on File Library of World Literature . New York, Facts on File, 537-578. [Book Section]

STEGGLE, Matthew (2012). Urbane John Marston : obscenity, satire, co-operation. In: HOENSELAARS, Ton, (ed.) The Cambridge Companion to Shakespeare and Contemporary Dramatists. Cambridge Companions to Literature and Classics . Cambridge University Press, 70-82. [Book Section]

MCINNIS, D and STEGGLE, Matthew (2011). Folger MS X.d.390 (1-2), and Folger MS X.d.391. Notes and Queries, 58 (3), 374-376. [Article]

STEGGLE, Matthew (2010). Richard Brome, The English Moor. In: CAVE, Richard A., (ed.) Richard Brome Online. Sheffield, Humanities Research Institute. [Book Section]

STEGGLE, Matthew (2010). A lost Jacobean tragedy : Henry the Una (c. 1619). Early Theatre, 13 (1), 65-82. [Article]

STEGGLE, Matthew (2009). Doctor Faustus and the Devils of Empedocles. Notes and Queries, 56 (4), 544-547. [Article]

HOPKINS, Lisa, SIEMENS, Raymond G. and STEGGLE, Matthew (2008). EMLS : a case study in the development of an ejournal. In: BOWEN, William R. and SIEMENS, Raymond G., (eds.) New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies . Tempe, Arizona, Iter, 144-160. [Book Section]

STEGGLE, Matthew (2007). Laughing and Weeping in Early Modern Theatres. Studies in Performance and Early Modern Drama . Routledge. [Authored Book]

HOPKINS, Lisa and STEGGLE, Matthew (2006). Renaissance Literature and Culture. Introductions to British Literature and Culture . London, Continuum. [Authored Book]

STEGGLE, Matthew (2004). James Yates, Elizabethan servant poet. Studies in philology, 101 (1), 48-58. [Article]

STEGGLE, Matthew (2004). Richard Brome : place and politics on the Caroline stage. Revels Plays Companion Library . Manchester, Manchester University Press. [Authored Book]