Items where Author is "Fenwick, James"

FENWICK, James, VICE, Sue and FOSTER, Kieran (2024). Introduction: Unmade Holocaust Films. Journal of War and Culture Studies.

FENWICK, James (2023). Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics. Historical Journal of Film, Radio and Television.

FENWICK, James (2022). BSkyB and the 1991 World Student Games: the transformation of live sports television acquisition and coverage in the UK in the early 1990s. Television & New Media, 24 (3), 336-355.

FENWICK, James (2022). Problems with Kubrick: reframing Stanley Kubrick through archival research. The New Review of Film and Television Studies.

FENWICK, James (2022). Tracing the Origins, Evolution, and Failure of the Cultural Vision for the Sheffield Media and Exhibition Centre (1988-1995) Through Archival Research. Screen, 63 (2), 230-251.

FENWICK, James (2022). Failure, unmade films, and Hollywood. Flow Journal.

MELIA, M, ORGILL, G and FENWICK, James (2022). Introduction: 50 years of A Clockwork Orange (1971). Historical Journal of Film, Radio and Television.

FENWICK, James (2022). Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive. Historical Journal of Film, Radio and Television.

FENWICK, James (2021). The exploitation of Sue Lyon: Lolita (1962), archival research, and questions for film history. Feminist Media Studies.

FENWICK, James (2021). John Boorman’s The Lord of the Rings: A Case Study of an Unmade Film. Historical Journal of Film, Radio and Television.

FENWICK, James (2021). Everyday movies: portability and the transformation of American Culture [book review]. Historical Journal of Film, Radio and Television, 41 (3), 631-633.

FENWICK, James (2021). Urban Regeneration and Stakeholder Dynamics in the Formation, Growth and Maintenance of the Sheffield International Documentary Festival in the 1990s. Historical Journal of Film, Radio and Television.

FENWICK, James (2020). 2001 between Kubrick and Clarke: The Genesis, Making and Authorship of a Masterpiece. Journal of British Cinema and Television, 17 (4), 544-547.

BRODERICK, Mick, FENWICK, James and MCENTEE, Joy (2020). Missing Links: Exploring Traces of Kubrick’s "Unknown" Early Works. Senses of Cinema, 96.

FENWICK, James (2020). Documenting syria: Film-making, video activism and revolution. Historical Journal of Film, Radio and Television, 40 (4), 916-918.

FENWICK, James (2020). The Routledge Companion to Urban Media and Communication. Historical Journal of Film, Radio and Television, 40 (4), 918-921.

FENWICK, James (2020). Bad film histories: ethnography and the early archive. Early Popular Visual Culture, 1-3.

FENWICK, James (2020). An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah. Historical Journal of Film, Radio and Television, 1-4.

FENWICK, James (2018). ‘Let this be Kubrick’s final word. Do you hear us Warner Bros.?’: Fan reception to the death of Stanley Kubrick and his final film, Eyes Wide Shut. The Journal of Fandom Studies, 6 (1), 21-32.

FENWICK, James, HUNTER, I.Q. and PEZZOTTA, Elisa (2017). Stanley Kubrick: A Retrospective. Cinergie, 12.

FENWICK, James (2017). Curating Kubrick: Constructing New Perspective Narratives in Stanley Kubrick Exhibitions. Screening the Past (42).

FENWICK, James, HUNTER, I.Q. and PEZZOTTA, Elisa (2017). The Stanley Kubrick Archive: A Dossier of New Research. Historical Journal of Film, Radio and Television, 37 (3), 367-372.

FENWICK, James and CORKER, Chris (2024). Memory, heritage, and the post steel city: Mediating the transformation of Sheffield since 1990. In: Mediating the Transformation and Decline of Industrial Cities. Routledge.

FENWICK, James (2023). Introduction to Part four: Intersectional legacies: identity and representation. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic.

FENWICK, James (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic.

FENWICK, James and RODGERS, Diane (2023). Introduction: a critical reflection on thirty years of The X-Files. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic.

FENWICK, James (2023). Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick. In: ETIENNE, Anne, HALLIGAN, Benjamin and WEEDMAN, Christopher, (eds.) Adult Themes: British Cinema and the 'X' Certificate in the Long 1960s. Global Exploitation Cinemas . New York, Bloomsbury Academic, 91-110.

FENWICK, James (2022). The Problems with Lolita (1962). In: RITZENHOFF, Karen A., METLIĆ, Dijana and SZANIAWSKI, Jeremi, (eds.) Gender, Power, and Identity in The Films of Stanley Kubrick. Routledge Advances in Film Studies . Abingdon, Routledge.

FENWICK, James (2022). Une publicité pour Dieu et pour le programme spatial: 2001, l’odyssée de l’espace et le Festival international du film de Moscou de 1969 / “A commercial for God and the space program”: 2001: A Space Odyssey and the 1969 Moscow International Film Festival. In: ROBINSON, Christopher and AZULYS, Sam, (eds.) 2001: A Space Odyssey: At the Crossroads of Science and the Arts (2001 : l’odyssée de l’espace : Au carrefour des sciences et des arts). Les Éditions de l’École Polytechnique.

FENWICK, James (2021). A film ‘highly offensive to our nation’: Stanley Kubrick’s Paths of Glory (1957), Censorship, and Militaristic Representations of Post-War Europe. In: The Routledge Companion to European Cinema. London, Routledge.

FENWICK, James (2021). Kubrick and Production. In: HUNTER, I.Q. and ABRAMS, Nathan, (eds.) The Bloomsbury Companion to Stanley Kubrick. https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/, Bloomsbury.

FENWICK, James (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In: FENWICK, James, FOSTER, Kieran and ELDRIDGE, David, (eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic.

FENWICK, James (2020). Eyes Wide Shut. In: MURGUÍA, Salvador Jimenez, DYMOND, Erica Joan and FENNELLY, Kristina, (eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield.

FENWICK, James (2020). Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership. In: A Critical Companion to Stanley Kubrick. Lanham, Lexington books.

FENWICK, James (2020). ‘‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959’. In: KRÄMER, Peter, NEEDHAM, Gary, TZIOUMAKIS, Yannis and BALIO, Tino, (eds.) United Artists. Routledge.

FENWICK, James (2019). Body Double. In: MURGUÍA, Salvador Jimenez, DYMOND, Erica Joan and FENNELLY, Kristina, (eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield.

FENWICK, James (2018). Tsui Hark’s film workshop: Political cues in the gangster film 1986-1989. In: A Companion to the Gangster Film. John Wiley & Sons, Inc., 430-445.

FENWICK, James (2018). Forging new perspectives. In: FENWICK, James, (ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect.

FENWICK, James (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In: FENWICK, James, (ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect.

FENWICK, James (2017). “Freddie, can you talk?”: the ethics of betrayal in Frederic Raphael’s Memoir Eyes Wide Open. In: HERBE, Sarah and LINKE, Gabriele, (eds.) British Autobiography in the 20th and 21st Centuries. Universitätsverlag, 39-58.

FENWICK, James (2017). The Eady Levy, "the envy of most other European nations": Runaway productions and the British Film Fund in the early 1960s. In: HUNTER, I.Q., PORTER, Laraine and SMITH, Justin, (eds.) The Routledge Companion to British Cinema History. Abingdon, Routledge, 191-199.

FENWICK, James (2023). Yorkshire's film festival programmers: Working conditions, skills, and the relationship to the region’s screen industries. Project Report. Screen Industries Growth Network.

FENWICK, James (2021). Unproduction Studies and the American Film Industry. Routledge Focus on Film Studies . London, Routledge.

FENWICK, James (2020). Stanley Kubrick Produces. Rutgers University Press.

FENWICK, James (2018). A Clockwork Orange: Anthony Burgess’s (1962) black comedy and Stanley Kubrick’s violent grotesque (1971). Gale, Cengage Learning.

FENWICK, James, FOSTER, Kieran and ELDRIDGE, David, eds. (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury.

FENWICK, James (2018). A Transmedia Odyssey: Marvel Comics and the Expansion of the 2001: A Space Odyssey Universe. [Show/Exhibition]