Items where Author is "Fenwick, James"

FENWICK, James, FOSTER, Kieran and VICE, Sue (2024). Introduction: Unmade Holocaust Films. Journal of War and Culture Studies, 247-253. [Article]

FENWICK, James (2023). Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics. Historical Journal of Film, Radio and Television. [Article]

FENWICK, James (2022). BSkyB and the 1991 World Student Games: the transformation of live sports television acquisition and coverage in the UK in the early 1990s. Television & New Media, 24 (3), 336-355. [Article]

FENWICK, James (2022). Problems with Kubrick: reframing Stanley Kubrick through archival research. The New Review of Film and Television Studies. [Article]

FENWICK, James (2022). Tracing the Origins, Evolution, and Failure of the Cultural Vision for the Sheffield Media and Exhibition Centre (1988-1995) Through Archival Research. Screen, 63 (2), 230-251. [Article]

FENWICK, James (2022). Failure, unmade films, and Hollywood. Flow Journal. [Article]

MELIA, M, ORGILL, G and FENWICK, James (2022). Introduction: 50 years of A Clockwork Orange (1971). Historical Journal of Film, Radio and Television. [Article]

FENWICK, James (2022). Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive. Historical Journal of Film, Radio and Television. [Article]

FENWICK, James (2021). The exploitation of Sue Lyon: Lolita (1962), archival research, and questions for film history. Feminist Media Studies. [Article]

FENWICK, James (2021). John Boorman’s The Lord of the Rings: A Case Study of an Unmade Film. Historical Journal of Film, Radio and Television. [Article]

FENWICK, James (2021). Everyday movies: portability and the transformation of American Culture [book review]. Historical Journal of Film, Radio and Television, 41 (3), 631-633. [Article]

FENWICK, James (2021). Urban Regeneration and Stakeholder Dynamics in the Formation, Growth and Maintenance of the Sheffield International Documentary Festival in the 1990s. Historical Journal of Film, Radio and Television. [Article]

FENWICK, James (2020). 2001 between Kubrick and Clarke: The Genesis, Making and Authorship of a Masterpiece. Journal of British Cinema and Television, 17 (4), 544-547. [Article]

BRODERICK, Mick, FENWICK, James and MCENTEE, Joy (2020). Missing Links: Exploring Traces of Kubrick’s "Unknown" Early Works. Senses of Cinema, 96. [Article]

FENWICK, James (2020). Documenting syria: Film-making, video activism and revolution. Historical Journal of Film, Radio and Television, 40 (4), 916-918. [Article]

FENWICK, James (2020). The Routledge Companion to Urban Media and Communication. Historical Journal of Film, Radio and Television, 40 (4), 918-921. [Article]

FENWICK, James (2020). Bad film histories: ethnography and the early archive. Early Popular Visual Culture, 1-3. [Article]

FENWICK, James (2020). An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah. Historical Journal of Film, Radio and Television, 1-4. [Article]

FENWICK, James (2018). ‘Let this be Kubrick’s final word. Do you hear us Warner Bros.?’: Fan reception to the death of Stanley Kubrick and his final film, Eyes Wide Shut. The Journal of Fandom Studies, 6 (1), 21-32. [Article]

FENWICK, James, HUNTER, I.Q. and PEZZOTTA, Elisa (2017). Stanley Kubrick: A Retrospective. Cinergie, 12. [Article]

FENWICK, James (2017). Curating Kubrick: Constructing New Perspective Narratives in Stanley Kubrick Exhibitions. Screening the Past (42). [Article]

FENWICK, James, HUNTER, I.Q. and PEZZOTTA, Elisa (2017). The Stanley Kubrick Archive: A Dossier of New Research. Historical Journal of Film, Radio and Television, 37 (3), 367-372. [Article]

FENWICK, James and CORKER, Chris (2024). Memory, heritage, and the post steel city: Mediating the transformation of Sheffield since 1990. In: Mediating the Transformation and Decline of Industrial Cities. Routledge. [Book Section]

JONES, Arthur, DAVEY, Steffi, FENWICK, James, WALLIS, Richard, WHITFIELD, Kate and AKHGAR, Babak (2024). Work-in-Progress—Enhancing Cyber Prevention Education: Utilising Virtual Reality Technology for Parents/Carers and Teachers. In: KRÜGER, Jule, PEDROSA, Daniela, BECK, Dennis, BOURGUET, Marie-Luce, DENGEL, Andreas, GHANNAM, Rami, MILLER, Alan, PEÑA-RIOS, Anasol and RICHTER, Jonathon, (eds.) Immersive Learning Research Network. Proceedings of 10th International Conference – Selected Academic papers for the iLRN Proceedings, iLRN 2024, Online & Glasgow, Scotland, UK, June 3-5, 2024 (online) & June 10-13, 2024 (in person). Immersive Learning Re. The Immersive Learning Research Network, 210-216. [Book Section]

FENWICK, James (2023). Introduction to Part four: Intersectional legacies: identity and representation. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic. [Book Section]

FENWICK, James (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic. [Book Section]

FENWICK, James and RODGERS, Diane (2023). Introduction: a critical reflection on thirty years of The X-Files. In: FENWICK, James and RODGERS, Diane, (eds.) The Legacy of The X-Files. New York, Bloomsbury Academic. [Book Section]

FENWICK, James (2023). Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick. In: ETIENNE, Anne, HALLIGAN, Benjamin and WEEDMAN, Christopher, (eds.) Adult Themes: British Cinema and the 'X' Certificate in the Long 1960s. Global Exploitation Cinemas . New York, Bloomsbury Academic, 91-110. [Book Section]

FENWICK, James (2022). The Problems with Lolita (1962). In: RITZENHOFF, Karen A., METLIĆ, Dijana and SZANIAWSKI, Jeremi, (eds.) Gender, Power, and Identity in The Films of Stanley Kubrick. Routledge Advances in Film Studies . Abingdon, Routledge. [Book Section]

FENWICK, James (2022). Une publicité pour Dieu et pour le programme spatial: 2001, l’odyssée de l’espace et le Festival international du film de Moscou de 1969 / “A commercial for God and the space program”: 2001: A Space Odyssey and the 1969 Moscow International Film Festival. In: ROBINSON, Christopher and AZULYS, Sam, (eds.) 2001: A Space Odyssey: At the Crossroads of Science and the Arts (2001 : l’odyssée de l’espace : Au carrefour des sciences et des arts). Les Éditions de l’École Polytechnique. [Book Section]

FENWICK, James (2021). A film ‘highly offensive to our nation’: Stanley Kubrick’s Paths of Glory (1957), Censorship, and Militaristic Representations of Post-War Europe. In: The Routledge Companion to European Cinema. London, Routledge. [Book Section]

FENWICK, James (2021). Kubrick and Production. In: HUNTER, I.Q. and ABRAMS, Nathan, (eds.) The Bloomsbury Companion to Stanley Kubrick. https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/, Bloomsbury. [Book Section]

FENWICK, James (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In: FENWICK, James, FOSTER, Kieran and ELDRIDGE, David, (eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic. [Book Section]

FENWICK, James (2020). Eyes Wide Shut. In: MURGUÍA, Salvador Jimenez, DYMOND, Erica Joan and FENNELLY, Kristina, (eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield. [Book Section]

FENWICK, James (2020). Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership. In: A Critical Companion to Stanley Kubrick. Lanham, Lexington books. [Book Section]

FENWICK, James (2020). ‘‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959’. In: KRÄMER, Peter, NEEDHAM, Gary, TZIOUMAKIS, Yannis and BALIO, Tino, (eds.) United Artists. Routledge. [Book Section]

FENWICK, James (2019). Body Double. In: MURGUÍA, Salvador Jimenez, DYMOND, Erica Joan and FENNELLY, Kristina, (eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield. [Book Section]

FENWICK, James (2018). Tsui Hark’s film workshop: Political cues in the gangster film 1986-1989. In: A Companion to the Gangster Film. John Wiley & Sons, Inc., 430-445. [Book Section]

FENWICK, James (2018). Forging new perspectives. In: FENWICK, James, (ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect. [Book Section]

FENWICK, James (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In: FENWICK, James, (ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect. [Book Section]

FENWICK, James (2017). “Freddie, can you talk?”: the ethics of betrayal in Frederic Raphael’s Memoir Eyes Wide Open. In: HERBE, Sarah and LINKE, Gabriele, (eds.) British Autobiography in the 20th and 21st Centuries. Universitätsverlag, 39-58. [Book Section]

FENWICK, James (2017). The Eady Levy, "the envy of most other European nations": Runaway productions and the British Film Fund in the early 1960s. In: HUNTER, I.Q., PORTER, Laraine and SMITH, Justin, (eds.) The Routledge Companion to British Cinema History. Abingdon, Routledge, 191-199. [Book Section]

FENWICK, James (2023). Yorkshire's film festival programmers: Working conditions, skills, and the relationship to the region’s screen industries. Project Report. Screen Industries Growth Network. [Monograph]

FENWICK, James (2021). Unproduction Studies and the American Film Industry. Routledge Focus on Film Studies . London, Routledge. [Authored Book]

FENWICK, James (2020). Stanley Kubrick Produces. Rutgers University Press. [Authored Book]

FENWICK, James (2018). A Clockwork Orange: Anthony Burgess’s (1962) black comedy and Stanley Kubrick’s violent grotesque (1971). Gale, Cengage Learning. [Authored Book]

FENWICK, James, FOSTER, Kieran and ELDRIDGE, David, eds. (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury. [Edited Book]

FENWICK, James (2018). A Transmedia Odyssey: Marvel Comics and the Expansion of the 2001: A Space Odyssey Universe. [Show/Exhibition] [Show/Exhibition]