WARDLE, Janice (2021). In search of Shakespeare and Austen: travels in time and place. Doctoral, Sheffield Hallam University. [Thesis]
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Wardle_2021_PhD_SearchShakespeareAusten.pdf - Accepted Version
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Wardle_2021_PhD_SearchShakespeareAusten.pdf - Accepted Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.
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Abstract
This thesis comprises six published works, preceded by four sections which provide
context for the publications, and summarise their significance. The overall project is to
examine an aspect of the engagement between contemporary culture and the figures
of William Shakespeare and Jane Austen: a set of contemporary texts, including
theatre productions, films, novels, and television dramas, which attempt to connect
the present-day audience to the personal identities, and the historical worlds, of these
two authors. The project explores the imaginative journeys that such works attempt,
critically examining and appraising their techniques, particularly focusing on how the
idea of travel between moments of time and/or place shapes these adaptations, as
well as investigating how the engagement with the authors can be framed as acts of
literary tourism. This exploration broadens, at points, into a more general discussion
of the inherent excitement, and inherent jeopardy, of imagined and reported travel in
time and place, including encounters in the experienced spaces of theatre, cinema and
culturally significant sites.
At a theoretical level, the thesis draws upon previous research in relevant fields,
especially those of adaptation, and literary tourism. It also reflects upon the paradox
of popular and commercial fascination with the lives and personalities of canonical
authors, in spite of influential moves in recent decades to challenge the canon and to
decry interest in authorial motives and intentions. The focus on the idea of place and
time travel in this study offers an innovative framework within which to investigate
both the production of these texts and their consumption by readers and viewers.
Such travels in search of the author are shown to help us to interrogate central
questions in adaptation studies around the authenticity and fidelity of texts and
performance. The chief aim of the thesis, however, is not to provide an all-embracing
theory, but to bring out the sheer complexity of the phenomena it discusses, and to
analyse and illuminate these complexities.
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