COPE, Louise Mary (2019). Abjection Made Manifest: The Grotesque Televisual Construction of the Contemporary British Underclass. Doctoral, Sheffield Hallam University. [Thesis]
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Cope_2020_PhD_AbjectionMadeManifest.pdf - Accepted Version
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Cope_2020_PhD_AbjectionMadeManifest.pdf - Accepted Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.
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Abstract
This thesis investigates how the process of abjection is manifest in the grotesque visual
imagery used to depict a configuration of the contemporary underclass: the ‘benefits
scrounger’. Both the theoretical foundation and the analysis undertaken in thisresearch
are based upon the psychoanalytical notion of the abject, as conceived by Kristeva
(1982), and the grotesque as a representational mode, as theorised by Bakhtin (1984),
considered as mutually constitutive categoriesthat intersect at the evocation of disgust.
It is argued that ‘poverty porn’ programmes perpetuate abject-grotesque imagery and
rely on an aesthetics of disgust to construct a figure of the contemporary British poor
which coincides with neoliberal ideology, as well as being consistent with historical
contempt for the poor.
The overarching research philosophy of this thesis is social constructionism: the aim
being to detail how the notion of the ‘underclass’ has been socially constructed and
mediated; along with exploring the potency of this construction and its implications on
the public consensus on benefits claimants. Also considered are the ways in which the
participants in poverty porn texts construct the Self in relation to the stigma attached
to being a benefits claimant, or a ‘benefits scrounger’. In contemporary Britain, there
has been a return to the notion of a feckless and dangerous underclass, who are blamed
for a plethora of social issues such as economic decline, draining NHS resources, and
rioting. These narratives, combined with neoliberal governmentality, shift the blame of
such issues from structural to individual. Thus, constructing a homogenous group such
as the ‘underclass’ as abject – outside the boundaries of ‘normal’ society – is necessary
to this process: depicting them as a contemporary grotesque leaves them devoid of
public sympathy.
This research draws upon qualitative and interpretive methods centred on a critical
hermeneutics, which when combined with social constructionism lays the analytical
foundations for a framing analysis of televisual texts. The textual analysis of twelve
poverty porn texts, all broadcast on Channel 5 between 2014-2017, focuses on two
predominant representational categories: the Abject Maternal and Grotesque
Embodiment. This thesis presents an explorative and original abject-grotesque
framework which is utilised to analyse the visual, ideological, discursive and narrative elements of poverty porn. Thus, the overall intention of this research is to promote a
greater understanding of poverty porn: investigating how it has been instrumental in
constructing the abject-grotesque figure of the benefits scrounger; and how this
contributes to deepening social inequalities. The scope of this research is to provide an
analytical framework for which future representations of the poor can be interpreted
against.
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