Items where Author is "Kramer, Kaley"

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Article

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KRAMER, Kaley (2012). The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1), p. 4.

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KRAMER, Kaley (2009). Women and Property in the Romantic Period: gendered property and generic belonging in Charlotte Smith and Mary Wollstonecraft. Literature Compass, 6 (6), 1145-1158.

Book Section

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KRAMER, Kaley (2023). Like Nobody Else: Women and Independence in the Novels of Charlotte Smith and Mary Wollstonecraft. In: CARROLL, Rachel and TOLAN, Fiona, (eds.) The Routledge Companion to Literature and Feminism. Routledge Literature Companions . London, Routledge, 29-41.

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KRAMER, Kaley and GRIFFIN, Sarah (2022). Printed by Alice Broade: the career of York's first female printer, 1661-1680. In: KRAMER, Kaley, STENNER, Rachel and SMITH, Adam James, (eds.) Print Culture, Agency, and Regionality in the Hand Press Period. New Directions in Book History . London, Palgrave Macmillan, 1661-1680.

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KRAMER, Kaley (2022). Forms and Feelings in the Genre. In: BLOOM, Clive, (ed.) The Palgrave Handbook of Gothic Origins. Palgrave Macmillan, 155-175.

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KRAMER, Kaley (2022). Anecdotes of a Convent. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

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KRAMER, Kaley (2022). The Butler's Diary. In: Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

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KRAMER, Kaley (2022). The Curse of Sentiment. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

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KRAMER, Kaley (2022). Waldeck Abbey. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

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KRAMER, Kaley (2022). The Weird Sisters. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

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KRAMER, Kaley (2017). "How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer. In: YOUNG, Mallory and CHAPPELL, Julie A., (eds.) Bad Girls and Transgressive Women in Popular Television, Fiction, and Film. New York and London, Palgrave Macmillan, 15-31.

KRAMER, Kaley (2016). Property, loss, and mourning in Sophia Lee's 'The Recess'. In: CHAPPELL, Julie A. and STONE STANTON, Kamille, (eds.) Spectacle, sex, and property in Eighteenth-Century literature and culture. AMS Studies in the Eighteenth Century (72). New York, AMS Press.

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KRAMER, Kaley (2015). Rethinking Surrender: Elizabeth Inchbald and the "Catholic Novel". In: BARNARD, Teresa, (ed.) British Women and the Intellectual World in the Long Eighteenth Century. British Literature in Context in the Long Eighteenth Century . Abingdon, Ashgate/Routledge, 87-106.

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KRAMER, Kaley (2014). Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's 'The Recess'. In: CHAPPELL, Julie and KRAMER, Kaley, (eds.) Women during the English Reformations: negotiating gender and religious identity. New York, Palgrave, 129-144.

Authored Book

STENNER, Rachel, KRAMER, Kaley, SMITH, Adam James, WILSON, Georgina E.M., SAUNDERS, Joe, CLAYTON, William, YOUNG, Jennifer, FARMER, Alan B., WOODRING, Benjamin, DURRANT, Michael, LIMA, VerĂ´nica Calsoni and JOHNSON, Rosalind (2023). The people of print: seventeenth-century England. Elements in publishing and book culture . Cambridge University Press (Elements in Publishing and Book Culture).

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