Items where Author is "Gibbons, Alison"

GIBBONS, Alison (2021). “Why do you insist that Alana is not real?” Visitors’ perceptions of the fictionality of Andi and Lance Olsen’s ‘there’s no place like time’ exhibition. In: GIBBONS, Alison, BELL, Alice, PEPLOW, David and BROWSE, Sam, (eds.) Style and Reader Response: Minds, media, methods. John Benjamins, 101-121.

GIBBONS, Alison (2019). Nurturing Life Writing in Egypt after the Arab Spring: Fiction as “Survival Mechanism”. a/b: Auto/Biography Studies, 34 (2), 316-324.

GIBBONS, Alison (2016). Multimodality, Cognitive Poetics, and Genre: Reading Grady Hendrix’s novel Horrorstör. Multimodal communication, 5 (1), 15-29.

GIBBONS, Alison (2023). Text world theory and situation-model research: enhancing validity and tracking world-retrievals. Journal of Literary Semantics, 52 (1).

GIBBONS, Alison (2022). A cognitive model of reading autofiction. English Studies: a journal of English language and literature.

EFFE, A and GIBBONS, Alison (2022). A Cognitive Perspective on Autofictional Writing, Texts, and Reading. In: EFFE, A and LAWLOR, H, (eds.) The Autofictional. Approaches, affordances, forms. Palgrave Studies in Life Writing . Cham, Palgrave Macmillan, 61-81.

EFFE, Alexandra and GIBBONS, Alison (2022). A Cognitive Perspective on Autofictional Writing, Texts, and Reading. In: EFFE, Alexandra and LAWLOR, Hannie, (eds.) The Autofictional. Approaches, Affordances, Forms. Palgrave Studies in Life Writing . Cham, Switzerland., Palgrave MacMillan, 61-81.

GIBBONS, Alison (2021). Interpreting Fictionality and Ontological Blurrings in and Between Lance Olsen’s Theories of Forgetting and there’s no place like time. Style (DeKalb), 55 (3), 406-429.

GIBBONS, Alison and WHITELEY, Sara (2021). Do worlds have (fourth) walls? A Text World Theory approach to direct address in Fleabag. Language and Literature, 30 (2), 105-126.

GIBBONS, Alison (2020). Metamodernism, the Anthropocene, and the Resurgence of Historicity: Ben Lerner’s 10:04 and “the utopian glimmer of fiction”. Critique - Studies in Contemporary Fiction.

BROWSE, Sam, GIBBONS, Alison and HATAVARA, Mari (2019). Real fictions: fictionality, factuality and narrative strategies in contemporary storytelling. Narrative Inquiry, 29 (2), 245-267.

GIBBONS, Alison (2019). The “dissolving margins” of Elena Ferrante and the Neapolitan Novels: A cognitive approach to fictionality, authorial intentionality, and autofictional reading strategies. Narrative Inquiry, 29 (2), 391-417.

GIBBONS, Alison, VERMEULEN, T and VAN DEN AKKER, R (2019). Reality beckons: metamodernist depthiness beyond panfictionality. European Journal of English Studies, 23 (2), 172-189.

GIBBONS, Alison (2019). Using life and abusing life in the trial of Ahmed Naji: Text World Theory, Adab, and the ethics of reading. Journal of Language and Discrimination.

GIBBONS, Alison (2018). Entropology and the end of nature in Lance Olsen’s Theories of Forgetting. Textual practice, 33 (2), 280-299.

GIBBONS, Alison (2016). 'I haven't seen you since (a specific date, a time, the weather)': Global identity and the reinscription of subjectivity in Brian Castro's Shanghai Dancing. Ariel : A Review of International English Literature, 47 (1-2), 223-251.

GIBBONS, Alison (2022). Reading Autofiction: The Cognitive Turn. American Book Review, 43 (2), 32-36.

GIBBONS, Alison (2018). Autonarration, 'I', and odd address in Ben Lerner's autofictional novel 10.04. In: GIBBONS, Alison and MACRAE, Andrea, (eds.) Pronouns in literature: Positions and perspectives in language. Palgrave Macmillan, 75-96.

GIBBONS, Alison and WHITELEY, Sara (2018). Contemporary stylistics: Language, cognition, interpretation. Edinburgh University Press.

GIBBONS, Alison (2017). Reading S across media: transmedia storyworlds, multimodal fiction, and real readers. Narrative, 25 (3), 321-341.

GIBBONS, Alison (2017). Contemporary autofiction and metamodern affect. In: VAN DEN AKKER, Robin, GIBBONS, Alison and VERMEULEUN, Timotheus, (eds.) Metamodernism: Historicity, affect, and depth after postmodernism. Radical Cultural Studies . London, Rowman & Littlefield International, 117-130.

GIBBONS, Alison (2017). Metamodern affect. In: VAN DEN AKKER, Robin, GIBBONS, Alison and VERMEULEN, Timotheus, (eds.) Metamodernism: Historicity, Affect, and Depth after Postmodernism. Radical Cultural Studies . London, Rowman & Littlefield International, 83-86.

GIBBONS, Alison (2016). "Take that you intellectuals" and "KaPOW!": Adam Thirlwell and the metamodernist future of style. In: FJELLESTAD, Danuta and WATSON, David, (eds.) The futures of the present: New directions in (American) literature. Abingdon, Routledge, 29-43.

GIBBONS, Alison (2016). Building Hollywood in Paddington: Text world theory, immersive theatre, and Punchdrunk's the drowned man. In: GAVINS, Joanna and LAHEY, Ernestine, (eds.) World building: Discourse in the mind. Bloomsbury academic, 71-89.

GIBBONS, Alison (2015). Creativity and multimodal literature. In: JONES, Rodney H, (ed.) Routledge handbook of language and creativity. Abingdon, Routledge, 293-306.

GIBBONS, Alison (2015). An interview with Adam Thirlwell. Contemporary Literature, 55 (4), 611-634.

GIBBONS, Alison (2014). Multimodality in literature: An analysis of Jonathan Safran Foer's 'A primer for the punctuation of heart disease'. In: NORRIS, Sigrid and MAIER, Carmen Daniela, (eds.) Interactions, images, and texts: A reader in multimodality. Boston, De Gruyter Mouton, 371-380.

GIBBONS, Alison (2014). Tension, style and the modern psyche: A stylistic analysis of Philip Zimmermann's high tension. The blue notebook: Journal for artists’ books, 8 (2), 6-13.

GIBBONS, Alison (2012). “You’ve never experienced a novel like this”: Time and interaction when reading TOC. Electronic book review.

GIBBONS, Alison (2012). "You were there": The allways ontologies of only revolutions. In: POHLMANN, Sascha, (ed.) Revolutionary leaves: The fiction of Mark Z. Danielewski. Newcastle Upon Tyne, Cambridge Scholars Publishing, 167-182.

GIBBONS, Alison (2011). This is not for you. In: BRAY, Joe and GIBBONS, Alison, (eds.) Mark Z. Danielewski. Manchester University Press, 17-32.

GIBBONS, Alison (2010). Narrative worlds and multimodal figures in house of leaves: "-find your own words; I have no more". In: GRISHAKOVA, Marina and RYAN, Marie-Laure, (eds.) Intermediality and Storytelling. De Gruyter, 285-311.

GIBBONS, Alison (2008). Multimodal literature 'moves' us: dynamic movement and embodiment in VAS: An opera In flatland. Hermes journal of language and communication in business,, 41, 107-124.