Items where Author is "Earle, Harriet"

EARLE, Harriet (2024). ‘And Babies?’: The Representation of Mỹ Lai in Vietnam War Comics. Amerikastudien.

EARLE, Harriet (2024). How do comics engage with the Vietnam War? Two photography case studies. Americana: The Institute for the Study of American Popular Culture, 22 (2).

EARLE, Harriet (2021). Traumatic Absurdity, Palimpsest, and Play: A Slaughterhouse-Five Case Study. Journal of Graphic Novels and Comics.

EARLE, Harriet (2020). Comics An Introduction. Routledge.

EARLE, Harriet (2020). The Politics of Lace in Kate Evans’ Threads: From the Refugee Crisis (2017). The Comics Grid : Journal of Comics Scholarship, 10 (1), p. 13.

EARLE, Harriet, ed. (2019). Gender, Sexuality and Queerness in American Horror Story Critical Essays. McFarland.

EARLE, Harriet and CLARK, Jessica (2019). Telling national stories in American Horror Story. European journal of American culture, 38 (1), 5-13.

EARLE, Harriet (2018). A new face for an old fight: Reimagining Vietnam in Vietnamese-American graphic memoirs. Studies in Comics, 9 (1), 87-105.

EARLE, Harriet (2018). Conflict then; trauma now : reading Vietnam across the decades in American comics. European Journal of American Culture, 37 (2), 159-172.

EARLE, Harriet (2017). Comics, trauma, and the new art of war. Jackson, MS, University Press of Mississippi.

EARLE, Harriet (2017). Epistemic Breaks, Post-9/11 Trauma, and Siri Hustvedt. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 30 (3), 198-202.

EARLE, Harriet (2017). “A Convenient Place for Inconvenient People”: madness, sex and the asylum in American Horror Story. The Journal of Popular Culture, 50 (2), 259-275.

KNOWLES, Sam, PEACOCK, James and EARLE, Harriet (2016). Introduction: Trans/formation and the graphic novel. Journal of Postcolonial Writing, 52 (4), 378-384.

EARLE, Harriet (2016). Strange migrations: an essay/interview with Shaun Tan. Journal of Postcolonial Writing, 52 (4), 385-398.

EARLE, Harriet (2016). Creating the traumatic body : female genitals as wounds in Antichrist. Film International, 14 (1), 35-43.