Items where Author is "Cere, Rinella"

CERE, Rinella and SANTAERA, Giovanna (2021). Fautrici dei musei del cinema nel mondo: Iris Barry, Lotte Eisner e Kashiko Kawawita. Arabeschi, 19.

CERE, Rinella and BALI, Ahmed Omar (2018). Reporting the Crisis in Iraq: Media Coverage of the Humanitarian Aid Effort in Kurdistan. Journal of South Asian and Middle Eastern Studies, 41 (2), 85-101.

CERE, Rinella (2006). ‘Exhibiting cinema’: the cultural activities of the ‘Museo Nazionale del Cinema’, 1958-1971. Film history : an international journal, 18 (3), 295-305.

CERE, Rinella (2002). ‘Witches of our age’: women ultras, football and the media. Culture, sport, society journal, 5 (3), 166-188.

CERE, Rinella, GIGLITTO, Danilo and PETRELLI, Daniela (2023). Uncovering colonial legacy in a British digital archive: The Pitt Rivers Museum case. In: GIGLITTO, Danilo, CIOLFI, Luigina, LOCKLEY, Eleanor and KALDELI, Eirini, (eds.) Digital Approaches to Inclusion and Participation in Cultural Heritage. Insights from Research and Practice in Europe. London, Routledge, 141-159.

CERE, Rinella (2018). ‘Little England Beats Great Britain’: Italian Media Coverage of the EU Referendum 2016. In: LEON-SOLIS, Fernando, O'DONNELL, Hugh and RIDGE-NEWMAN, Anthony, (eds.) Reporting the road to Brexit: international media and the EU referendum 2016. Palgrave Macmillan, 239-256.

CERE, Rinella (2018). 'Little England beats Great Britain': Italian media coverage of the EU referendum 2016. In: RIDGE-NEWMAN, Anthony, LEON-SOLIS, Fernando and O'DONNELL, Hugh, (eds.) Reporting the Road to Brexit: International Media and the EU Referendum 2016. Palgrave Macmillan, 239-256.

CERE, Rinella (2018). ‘Little England beats Great Britain’: Italian media coverage of the EU referendum 2016. In: RIDGE-NEWMAN, Anthony, LEON-SOLIS, Fernando and O'DONNELL, Hugh, (eds.) Reporting the road to brexit. Palgrave Macmillan, Cham, 239-256.

CERE, Rinella (2017). Constructing community: Notes on a slippery concept. In: SABIDO, Ruth Sanz, (ed.) Representing communities: Discourse and contexts. Palgrave Macmillan, 19-34.

CERE, Rinella (2016). Hegemony and counter-hegemony in postcolonial media theory and culture. In: MERTEN, Kai and KRÄMER, Lucia, (eds.) Postcolonial studies meets media studies : a critical encounter. Postcolonial Studies (23). transcript Verlag, 125-142.

CERE, Rinella, JEWKES, Yvonne and UGELVIK, Thomas (2013). 'Media and crime: a comparative analysis of crime news in the UK, Norway and Italy'. In: BODY-GENDROT, Sophie, HOUGH, Mike, KEREZSI, Klara, LÉVY, René and SNACKEN, Sonja, (eds.) The Routledge handbook of European criminology. Routledge International Handbooks . London, Routledge, 266-279.

CERE, Rinella (2012). ‘Forever Ultras’: female football support in Italy. In: TOFFOLETTI, Kim and MEWETT, Peter, (eds.) Sport and its female fans. Routledge Research in Sport, Culture and Society Series (17). Taylor and Francis, 46-60.

CERE, Rinella (2011). Postcolonial and media studies: a cognitive map. In: CERE, Rinella and ROSALIND, Brunt, (eds.) Postcolonial media culture in Britain. Basingstoke, Palgrave Macmillan, 1-13.

CERE, Rinella (2009). Globalization vs. localization : anti-immigrant and hate discourses in Italy. In: ARDIZZONI, Michela and FERRARI, Michela, (eds.) Beyond monopoly : globalization and contemporary Italian media. Critical media studies . Lanham, Lexington Books, 225-244.

CERE, Rinella (2008). The body of the woman hostage: spectacular bodies and Berlusconi’s media. In: RANDELL, Karen and REDMOND, Sean, (eds.) The war body on screen. London, Continuum, 239-250.

CERE, Rinella (2007). Digital undergrounds: alternative politics and civil society. In: JEWKES, Yvonne, (ed.) Crime online : committing, policing and regulating cybercrime. Cullompton, Willan, 144-159.

CERE, Rinella (2006). The Poor’s Banker: real or ‘virtual’ help? The internet, NGOs and gendered poverty. In: SARIKAKIS, Katharine and THUSSU, Daya K., (eds.) Ideologies of the Internet. Cresskill, N.J., Hampton Press, 283-298.

CERE, Rinella (2003). Digital counter-cultures and the nature of electronic social and political movements. In: JEWKES, Yvonne, (ed.) Dot.cons: criminal and deviant identities on the internet. Cullompton, Willan, 147-163.

CERE, Rinella (2003). ‘Witches of our age’: women ultras, football and the media. In: BERNSTEIN, A and BLAIN, N, (eds.) Sport, media, culture: global and local dimensions. London, Frank Cass, 166-188.

CERE, Rinella and COPE, Louise (2021). "Leaving Nothing Out": collective memory, postcolonial subjectivity and conscious racism in McQueen's Small Axe films. In: Steve McQueen: “I want the burden” 14th Annual Contemporary Directors Symposium, University of Sussex, online., 24 Sep 2021. Edinburgh University Press, ReFocus Series. (Unpublished)

CERE, Rinella (2014). Latent and manifest anti-fascism in Italian cinema. In: Anti-Fascism on Film, De Montfort University, 20 February 2014. (Unpublished)

CERE, Rinella (2011). ‘Roshonara Chowdry: Misrepresentations of “Homegrown Terrorists” in the British Press’. In: Race and the Cultural Industries Conference, University of Leeds, September 2011. (Unpublished)

CERE, Rinella (2011). The media representation of Muslim women radicalised by a post 9/11 society. In: Race and the Cultural Industries Conference, University of Leeds, 14 September 2011. (Unpublished)

CERE, Rinella (2011). Musealizing cinema: a troubled history? In: Moving Image and Institution: Cinema and the Museum in the 21st Century, University of Cambridge, 6-8 July, 2011. (Submitted)

CERE, Rinella (2009). Cinematic re-writes in film in museums. In: Rewrites: studying literary, screen and music cultures, Leeds, 28 November 2009. (Unpublished)

CERE, Rinella (2008). Anti-immigrant and hate discourses in Italian news media. In: The media in Italy: historical perspectives and future challenges, Italian Cultural Institute, Edinburgh, 21-22 Nov 2008. (Unpublished)

CERE, Rinella (2008). The body of the woman hostage. In: MECCSA conference, Cardiff, 9-11 January 2008. (Unpublished)

CERE, Rinella (2020). An International Study of Film Museums. Routledge.