Items where Author is "Cadman, Daniel"

CADMAN, Daniel (2022). 'Her body is divided from her head': beheading and biblical intertexuality in Elizabeth Cary's the Tragedy of Mariam. Literature And Theology.

CADMAN, Daniel (2020). The Closet as Form and Theme in Cavendish and Brackley's The Concealed Fancies. In: HOPKINS, Lisa and RUTTER, Tom, (eds.) A Companion to the Cavendishes. ARC Humanities Press, 239-254.

CADMAN, Daniel (2017). 'Constant in any undertaking': Writing the Lipsian State in Measure for Measure. In: HALSEY, Katie and VINE, Angus, (eds.) Shakespeare and Authority: Citations, Conceptions and Constructions. Houndmills, Palgrave Macmillan. (In Press)

CADMAN, Daniel (2017). '“To fashion grounds, from whence artes might be coyn’d”: Commerce and the Postlapsarian State in Greville’s Poetry'. Sidney Journal, 35 (1-2), 119-141.

CADMAN, Daniel (2015). “Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra. In: Shakespeare 450, Paris, 21-27 April 2014. Societé Française Shakespeare.

CADMAN, Daniel (2015). Sovereigns and subjects in early modern neo-Senecan drama : republicanism, stoicism and authority. Studies in Performance and Early Modern Drama . Farnham, Ashgate.

CADMAN, Daniel (2014). Stoicism, Calvinism, and Determinism in Fulke Greville's "Alaham". In: MARDOCK, James and MCPHERSON, Kathryn, (eds.) Stages of Engagement : Drama and Religion in Post-Reformation England. Pittsburgh, Duquesne University Press, 41-62.

CADMAN, Daniel and DUXFIELD, Andrew (2014). Introduction: Christopher Marlowe: Identities, traditions, afterlives. Early modern literary studies (23), 1-12.

CADMAN, Daniel (2012). "The very nerves of state" : biopolitics and sovereignty in Shakespeare's Vienna. In: LEMONNIER-TEXIER, Delphine and WINTER, Guillaume, (eds.) Lectures de Measure for Measure de William Shakespeare. Mondes Anglophones . Presses Universitaires de Rennes, 159-172.

CADMAN, Daniel (2011). "Th'accession of these mighty States" : Daniel's Philotas and the union of crowns. Renaissance Studies, 26 (3), 365-384.