Speaking with: Histories of Vietnam explored through archive film

This article discusses the research and methods undertaken in the creation of the poetic documentary feature film Dust & Metal (Cát bụi & Kim loại), directed by Esther Johnson (2022). Funded by the British Council, the film offers alternative perspectives of Vietnam, moving beyond Hollywood’s portrayals of the American/Vietnam War. Through a combination of difficult-to-access archive film, crowd-sourced material, newly shot footage, and oral histories, the research reveals unfamiliar histories of freedom in Vietnam that connect with the country’s most ubiquitous mode of transport: the motorbike and, previously, the bicycle. Dust & Metal concurrently acts as a whistle-stop tour through the history of Vietnamese cinema as shot by the film studios supported by the Vietnamese Ministry of Culture.

Exploring Vietnam's Hidden Histories Through Film and Oral Stories

What is it about?

The study explored the creation of the poetic documentary feature film Dust & Metal, which offers alternative perspectives of Vietnam beyond common portrayals of the American/Vietnam War. The methodology included the use of difficult-to-access archive film, crowd-sourced material, newly shot footage, and oral histories to uncover unfamiliar histories of freedom in Vietnam, emphasizing the role of motorbikes and bicycles. The study utilized a ""speaking nearby"" approach to reflect on and reveal a plurality of social histories through a scripted collage of oral testimonies and historical research. The film was designed with both a live score and an integrated soundtrack for standalone viewing, aiming to connect audiences through its ""liveness."" Collaboration with electronic composer Xô Xinh resulted in a score that explores traditional Vietnamese music using analogue Moog synthesizers. Additional screenings of the film occurred across the UK and France, often featuring live performances and post-screening discussions.

Why is it important?

This study is important as it provides a fresh perspective on Vietnam's cultural and historical narratives through the medium of film, challenging the dominant portrayals often seen in Western cinema. By employing a diverse mix of archival footage, crowd-sourced materials, and oral histories, the research not only uncovers lesser-known aspects of Vietnamese history but also connects these narratives to the nation's cultural identity, particularly through the lens of its popular modes of transport. This approach enriches the understanding of Vietnamese social histories and contributes significantly to the global appreciation of Southeast Asian cinema. The film's innovative use of live scores further bridges the past and present, enhancing audience engagement and offering a dynamic viewing experience.

Key Takeaways:

1. Unveiling Hidden Histories: The study highlights unfamiliar aspects of Vietnam's social histories, focusing on themes of freedom and identity linked to the country's widespread use of motorbikes and bicycles, thereby offering a nuanced understanding beyond typical war narratives.

2. Innovative Filmmaking Approaches: By ""speaking nearby"" rather than objectifying its subjects, the research employs a collaborative method, integrating scripted oral testimonies with archival footage, which proposes a multifaceted view of Vietnamese culture and history.

3. Enhancing Film Experience: The integration of live and electronic scores, particularly with traditional Vietnamese influences, not only augments the cinematic experience but also fosters cultural exchange, making the film accessible and engaging for diverse audiences.