WALLACE, Jayne, KOULIDOU, Nantia, DUNCAN, T, LAWSON, S, TRUEMAN, Julie, CRAIG, Claire, FISHER, Helen, MORRISSEY, K, MONTAGUE, K and WELSH, D (2019). Blueprints physical to digital: curation of media to support ongoingness. Proceedings of the 4th biennial research through design conference 19-22 March 2019 (Art 31), 1-16. [Article]
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RTD2019_article 31.pdf - Published Version
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Abstract
Through describing ‘Blueprints’, a series of
fabric collages, we detail a method for translating
physical properties of objects into digital materialities
of media compilations. This method has emerged
within a piece of design research seeking to develop
new ways to curate digital media to support
ongoingness. The project context centres on working
firstly with people who have a life limiting illness,
secondly people living with an early stage of dementia
and thirdly people who are bereaved.
Ongoingness is a theoretical construct denoting an
active dialogical component of ‘continued bonds’,
which is an approach within bereavement care
championing practices that enable a continued sense
of connection between someone bereaved and
a person who has died.
‘Blueprints’ are fabric collages made from scraps of
fabric symbolising digital media (in this case
photographs) from 2 people – one bereaved and one
now deceased. The physical qualities that result from
making the fabric collages (variation in layerings,
thicknesses, stitching, fraying) each map onto
directions for how the corresponding digital media
will be composed in a compilation, and serves as
a collaborative method of curating media in new
ways. The ‘Blueprints’ method enables us to
research if and how physical making of things can
serve as a gentle way to engage with the complexities
of media curation. It considers the potential value of
indirect ways of curating digital media to enable
ongoing connections between people through the
unexpected compilations that the method creates.
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