Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale

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BELL, Henry and MCCORMACK, Bryan (2018). Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale. Research in Drama Education, 23 (2), 298-319. [Article]

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Abstract
This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.
More Information
Official URL:
https://www.tandfonline.com/doi/full/10.1080/13569...
Research Institute, Centre or Group - Does NOT include content added after October 2018:
Humanities Research Centre
Departments - Does NOT include content added after October 2018:
Faculty of Social Sciences and Humanities > Department of Humanities
Page Range:
298-319

Identifiers

Identification Number:
10.1080/13569783.2018.1439372

Library

Item Type:
Article
Depositing User:
Henry Bell
Date Deposited:
16 Mar 2018 14:06
Last Modified:
18 Mar 2021 01:22
Date of first compliant deposit:
17 April 2018
Date of first compliant Open Access:
10 October 2019
Version of first compliant deposit:
Author Accepted Manuscript
URI:
https://shura.shu.ac.uk/id/eprint/18949
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