Items where Research Institute, Centre or Group is "Humanities Research Centre"

University Structure (537)
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Number of items at this level: 537.

Article

ABULHAWA, Danielle (2008). Female skateboarding : re-writing gender. Platform : Postgraduate eJournal of Theatre and Performing Arts, 3 (1), 56-72.

AITKEN, Robbie (2018). Embracing Germany: interwar German society and Black Germans through the eyes of African-American reporters. Journal of American Studies, 52 (2), 447-473.

AITKEN, Robbie (2008). From Cameroon to Germany and back via Moscow and Paris: the political career of Joseph Bilé (1892-1959), performer, "Negerarbeiter" and Comintern activist. Journal of Contemporary History, 43 (4), 597-616.

AITKEN, Robbie (2015). Selling the mission : the German Catholic elite and the educational migration of African youngsters to Europe. German History, 33 (1), 30-51.

AITKEN, Robbie (2010). Surviving in the metropole: the struggle for work and belonging amongst African colonial migrants in Weimar Germany. Immigrants & minorities, 28 (2-3), 203-223.

AITKEN, Robbie (2016). A transient presence: black visitors and sojourners in Imperial Germany, 1884-1914. Immigrants and Minorties, 34 (3), 233-255.

BEALS, Melodee (2008). ‘Passengers Wishing to Embrace This Commodious Conveyance, Will Apply Immediately’: the rise in emigrant passage advertising in the Scottish Borders, 1800-1830. International Journal of Local and Regional Studies, 4 (1), 21-46.

BEALS, Melodee (2009). The sojourning settler : transatlantic networks and identities in the British-American tobacco trade, 1740-1841. Journal of Irish and Scottish Studies, 3 (1).

BELL, Alice (2016). Interactional Metalepsis and Unnatural Narratology. Narrative, 24 (3), 294-310.

BELL, Alice (2014). Schema theory, hypertext fiction and links. Style, 48 (2), 140-161.

BELL, Alice and ALBER, Jan (2012). Ontological Metalepsis and Unnatural Narratology. Journal of Narrative Theory, 42 (2), 166-192.

BELL, Alice and ENSSLIN, Astrid (2011). "I know what it was. You know what it was": Second-person narration in hypertext fiction. Narrative, 19 (3), 311-329.

BELL, Alice, ENSSLIN, Astrid, CICCORICCO, David, RUSTAD, Hans, LACCETTI, Jess and PRESSMAN, Jessica (2010). A [S]creed for digital fiction. electronic book review.

BELL, Alice, ENSSLIN, Astrid, VAN DER BOM, Isabelle and SMITH, Jen (2018). Immersion in digital fiction. International Journal of Literary Linguistics, 7 (1).

BELL, Henry (2018). ‘Speak at this’: An approach to the completion of speech acts during interactive Shakespeare performances in schools. Theatre, Dance and Performance Training, 9 (2), 158-173.

BELL, Henry and MCCORMACK, Bryan (2018). Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale. Research in Drama Education, 23 (2), 298-319.

BLACK, Jack (2018). From mood to movement: English nationalism, the European Union and taking back control. Innovation: The European Journal of Social Science Research.

BLACK, Jack (2018). The subjective and objective violence of terrorism: analysing “British values” in newspaper coverage of the 2017 London Bridge attack. Critical Studies on Terrorism.

BROWN, Erica (2015). The rise and fall of ‘the original Bright Young Thing’: Beverley Nichols, Crazy Pavements (1927) and popular authorship. The Review of English Studies, 66 (273), 144-163.

BROWSE, Sam (2016). Revisiting Text World Theory and extended metaphor: Embedding and foregrounding metaphor in the text-worlds of the 2008 financial crash. Language & Literature, 25 (1), 18-37.

BUSH, Barbara and PURVIS, June (2016). Connecting Women's Histories: the local and the global. Women's History Review, 25 (4), 493-498.

BUSH, Sophie (2017). Putting on the red boots: role-play as ‘coping work’ and ‘creative work’ in the theatrical representation of prostitution. Studies in Theatre and Performance, 1-16.

BUSH, Sophie and DANIELS, Morgan (2015). No flowers: performative interventions 'at the moment of' Margaret Thatcher's passing. TDR/The Drama Review, 59 (2), 103-113.

CADMAN, Daniel (2011). "Th'accession of these mighty States" : Daniel's Philotas and the union of crowns. Renaissance Studies, 26 (3), 365-384.

CADMAN, Daniel (2017). '“To fashion grounds, from whence artes might be coyn’d”: Commerce and the Postlapsarian State in Greville’s Poetry'. Sidney Journal, 35 (1-2), 119-141.

CADMAN, Daniel and DUXFIELD, Andrew (2014). Introduction: Christopher Marlowe: Identities, traditions, afterlives. Early modern literary studies (23), 1-12.

CHETA, Arun and STEGGLE, Matthew (2014). Thomas Nashe reads The Nosegay of Morall Philosophie. Notes and Queries, 61 (2), 221-223.

CLARK, Jodie (2013). “Maybe she just hasn’t matured yet” : politeness, gate-keeping and the maintenance of status quo in a community of practice. Journal of Politeness Research, 9 (2), 211-237.

COFFEY-GLOVER, Laura (2015). Ideologies of masculinity in women’s magazines : a critical stylistic approach. Gender and Language, 9 (3), 337-364.

COLLINS, Bruce (2015). Counter-insurgency in the Bombay Presidency during the Mutiny-Rebellion, 1857. British Journal of Military History, 1 (2), 28-46.

COLLINS, Bruce (2013). Defining victory in Victorian warfare, 1860-1882. Journal of Military History, 77 (3), 895-929.

COLLINS, Bruce (2015). Introduction: case studies in colonial counter-insurgency. British Journal of Military History, 1 (2), 2-7.

CONNOLLY, A. (2007). David and Bethsabe: reconsidering biblical drama of the long 1590s. Early modern literary studies, 13 (2).

CONNOLLY, A. (2002). "O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire. Early modern literary studies, 8 (2).

COX, Katharine (2014). Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity in Casino Royale (2006). Journal of Gender Studies, 23 (2), 184-196.

COX, Katharine (2008). "I was in a red forest and she was leading me home": Representation of the maze and labyrinth in Jeanette Winterson's The Passion. Critical engagements: a journal of criticism and theory, 2 (1), 111-136.

COX, Katharine (2006). What has made me? Locating mother in the textual labyrinth of Mark Z. Danielewski's 'House of Leaves'. Critical Survey, 18 (2), 4-15.

COX, Katharine and JORDAN, Spencer (2013). Philip Pullman’s Oxford: representations of the city of Oxford in His Dark Materials and Lyra’s Oxford. Journal of Children's Literature Studies, 9 (2), 19-30.

DODGSON-KATIYO, Pauline (2009). The Story of Seretse and Ruth: A Southern African foundational fiction. Journal of Literary Studies, 25 (1), 64-79.

DREDGE, Sarah (2005). Opportunism and accommodation: the English Woman's Journal and the British mid-nineteenth-century women's movement. Women's studies, 34 (2), 133-157.

DREWERY, Claire (2011). 'The failure of this now so independently assertive reality’: Mysticism, idealism and the reality aesthetic in Dorothy Richardson’s shorter fiction. Pilgrimages:The Journal of Dorothy Richardson Studies, 4.

EARNSHAW, Steve (2015). Charlotte Brontë’s fictional epistles. Brontë Studies, 40 (3), 201-214.

EARNSHAW, Steve (2012). “Give me my name”: naming and identity in and around Jane Eyre. Brontë Studies, 7 (3), 174-189.

EARNSHAW, Steve (2016). Not Really. Quarterly West, 87.

EARNSHAW, Steve (2015). Scar. The Wrong Quarterly, 2, 15-20.

EARNSHAW, Steve (2016). Tiny Guns. Lackington's Magazine, 10, 37-46.

EARNSHAW, Steve (2015). The Whale of Penlan Tork. Lackington's Magazine (6).

EARNSHAW, Steven (2017). Beiwelt. Otoliths, 46 (August).

EARNSHAW, Steven (2016). Habitual Drunkards and Metaphysics : Four Case Studies from the Victorian Period. The Social History of Alcohol and Drugs, 28 (2), 143-160.

EARNSHAW, Steven (2014). Iconoclasm of Modern Funeral Vignettes. The Squawkback, 128.

EARNSHAW, Steven (2016). The Water. Thrice Fiction, 17, 43-44.

EARNSHAW, Steven (2016). Whatever happened to reusable prophylactics? Butcher's Dog, 7.

ENSSLIN, Astrid and BELL, Alice (2012). "Click = Kill": textual you in ludic digital fiction. Storyworlds, 4, 49-73.

ENSSLIN, Astrid and BELL, Alice (2007). New perspectives on digital literature: criticism and analysis. dichtung-digital.

EVANS, Laura (2013). Gender, generation and the experiences of farm dwellers resettled in the Ciskei Bantustan, South Africa, ca 1960–1976. Journal Of Agrarian Change, 13 (2), 213-233.

EVANS, Laura (2014). Resettlement and the making of the Ciskei Bantustan, South Africa, c.1960–1976. Journal of Southern African Studies, 40 (1), 21-40.

EVANS, Laura (2012). South Africa's Bantustans and the dynamics of ‘decolonisation’: reflections on writing histories of the homelands. South African Historical Journal, 64 (1), 117-137.

FURNASS, W. R, COLLINS, R. P, HUSBAND, P. S, SHARPE, Rebecca, MOUNCE, S. R and BOXALL, J. B (2014). Modelling both the continual erosion and regeneration of discolouration material in drinking water distribution systems. Water Science & Technology: Water Supply, 14 (1), 81-90.

GAZELEY, Ian and VERDON, Nicola (2014). The first poverty line? Davies' and Eden's investigation of rural poverty in the late 18th-century England. Explorations in Economic History, 51, 94-108.

GIBBONS, Alison (2018). Entropology and the end of nature in Lance Olsen’s Theories of Forgetting. Textual practice, 33 (2), 280-299.

GIBBONS, Alison (2016). 'I haven't seen you since (a specific date, a time, the weather)': Global identity and the reinscription of subjectivity in Brian Castro's Shanghai Dancing. Ariel : A Review of International English Literature, 47 (1-2), 223-251.

GIBBONS, Alison (2016). Multimodality, Cognitive Poetics, and Genre: Reading Grady Hendrix’s novel Horrorstör. Multimodal communication, 5 (1), 15-29.

GIBBONS, Alison (2017). Reading S across media: transmedia storyworlds, multimodal fiction, and real readers. Narrative, 25 (3), 321-341.

GOTTLIEB, Julie V. and STIBBE, Matthew (2016). Peace at any price: the visit of Nazi Women’s leader Gertrud Scholtz-Klink to London in March 1939 and the response of British Women Activists. Women's History Review, 26 (2), 173-194.

GRAINGER, Karen (2018). “We’re not in a club now”: a neo-Brown and Levinson approach to analyzing courtroom data. Journal of Politeness Research, 14 (1), 19-38.

GRAINGER, Karen, KERKAM, Z., MANSOR, F. and MILLS, Sara (2015). Offering and hospitality in Arabic and English. Journal of Politeness Research, 11 (1), 41-70.

HALL, Sheldon (2018). Going to the Gaumont. Picture House (42), 50-67.

HAMILTON, Douglas (2017). 'A most active, enterprising officer': Captain John Perkins, the Royal Navy and the boundaries of slavery and liberty in the Caribbean. Slavery and Abolition, 39 (1), 80-100.

HANDFORTH, Rachel, PATERSON, Laura, L., COFFEY-GLOVER, Laura and MILLS, Sara (2017). Reading between blurred lines: the complexity of interpretation. Discourse, Context & Media, 20, 103-115.

HARRIS, Michael (2009). Escaping the tractor beam of literary theory: notes towards appropriate theories of creative writing - and some arguments against the inappropriate ones. TEXT : Journal of writing courses (AAWP), 13 (2).

HERMESTON, Rodney (2014). Indexing Bob Cranky : social meaning and the voices of pitmen and keelmen in early nineteenth-century Tyneside song. Victoriographies, 4 (2), 156-180.

HERMESTON, Rodney (2017). Towards a critical stylistics of disability. Journal of Language and Discrimination, 1 (1), 34-60.

HOCKENHULL-SMITH, Marie (2013). Dr Woodward's Narrative. Journal for Eighteenth Century Studies. (In Press)

HOCKENHULL-SMITH, Marie (2007). Superego, special juries and a split law: eighteenth century adultery trials viewed through Zizek's lens. Law and critique, 18 (1), 91-116.

HOCKENHULL-SMITH, Marie (2008). ‘... You'll be made a slave in your turn; you'll be told also that it is right that you should be so, and we shall see what you think of this justice’: Libido, Retribution and Moderation in The Island of Slaves. Journal for Eighteenth-Century Studies, 31 (2), 223-240.

HOCKENHULL-SMITH, Marie (2006). The children will be "subject to the infamy of their deluded and unfortunate mother": rhetoric of the courtroom, a gothic fantasy and a plain letter to the Lord Chancellor. Law and literature, 18 (3), 403-430.

HONEYWELL, Carissa (2015). Anarchism and the British warfare state : The prosecution of the War Commentary Anarchists, 1945. International Review of Social History, 60 (02), 257-284.

HONEYWELL, Carissa (2011). Colin Ward : anarchism and social policy. Anarchist studies, 19 (2), p. 69.

HONEYWELL, Carissa (2011). Paul Goodman: finding an audience for anarchism in twentieth-century America. Journal for the study of radicalism, 5 (2), 1-33.

HOPKINS, Chris (2012). 'The Army of the Unemployed': Walter Greenwood's wartime novel and the reconstruction of Britain. Keywords : A Journal of Cultural Materialism, 10.

HOPKINS, Chris (2013). 'A Certain Amount of Instruction': Politics, Entertainment and Narration in the Interwar Short Stories of Winifred Holtby, Sylvia Townsend Warner and Naomi Mitchison. Short fiction in theory and practice, 3 (1), 97-112.

HOPKINS, Chris (2014). ‘My Mother Won the War’: Patriotism and the First World War in Sylvia Townsend Warner’s Scenes of Childhood (1981). Literature Compass, 11 (12), 754-766.

HOPKINS, Chris (2005). One End Street? Eve Garnett and the proletarian pastoral for children 1937-1962. Journal of children's literature studies, 1 (3), 1-16.

HOPKINS, L. (1997). 'Malta of Gold': Marlowe, The Jew of Malta, and the Siege of 1565. (Re)Soundings, 1 (2).

HOPKINS, L. (2010). Staging the Medici: the Medici Family in English renaissance drama, c.1590–c.1640. Sun Yat-Sen Journal of Humanities, 27, 63-74.

HOPKINS, Lisa (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99.

HOPKINS, Lisa (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2).

HOPKINS, Lisa (2017). Birthing modernity: the BBC’s Count Dracula (1977). Journal of Adaptation in Film & Performance, 10 (3), 217-226.

HOPKINS, Lisa (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534.

HOPKINS, Lisa (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34.

HOPKINS, Lisa (2017). The Danish romance play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman. Early modern literary studies, 27.

HOPKINS, Lisa (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40.

HOPKINS, Lisa (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9.

HOPKINS, Lisa (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348.

HOPKINS, Lisa (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150.

HOPKINS, Lisa (2018). Herb Paris, Romeo and Juliet and Thomas Hesketh. Notes and Queries, 65 (4), 530-533.

HOPKINS, Lisa (2017). I am Ìyálóde of tì still: A Yoruba Duchess of Malfi. Journal of Adaptation in Film & Performance, 10 (2), 111-125.

HOPKINS, Lisa (2017). Introduction: John Ford in Performance 2014-2016. Early modern literary studies (SI 26).

HOPKINS, Lisa (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10.

HOPKINS, Lisa (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1).

HOPKINS, Lisa (2016). Love and war on Venus’ Island: Othello and the lover’s melancholy. Journal of Mediterranean Studies, 25 (1), 51-63.

HOPKINS, Lisa (2017). Moving Marlowe: The Jew of Malta on the Caroline Stage. Marlowe Studies.

HOPKINS, Lisa (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80.

HOPKINS, Lisa (2017). Perkin Warbeck and Massinger. Early modern literary studies (SI 26).

HOPKINS, Lisa (2013). Point, counterpoint, needlepoint: the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566.

HOPKINS, Lisa (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18.

HOPKINS, Lisa (2015). Review of Ford's Love's Sacrifice(directed by Matthew Dunster for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 16 May 2015. Shakespeare, 12 (1), 81-82.

HOPKINS, Lisa (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2).

HOPKINS, Lisa (2016). Shakespearean allusion and the detective fiction of Georgette Heyer. Palgrave Communications, 2 (16052), 1-7.

HOPKINS, Lisa (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

HOPKINS, Lisa (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459.

HOPKINS, Lisa (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

HOPKINS, Lisa (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88.

HOPKINS, Lisa (2015). A matter of life and death: the fourth act in Shakespearean tragedy. Ben Jonson Journal, 22 (2), 188-207.

HOPKINS, Lisa (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

HOPKINS, Lisa and MACMAHON, Barbara (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17.

HOWKINS, Alun and VERDON, Nicola (2008). Adaptable and sustainable? Male farm service and the agricultural labour force in midland and southern England, c.1850-1925. Economic History Review, 61 (2), 467-495.

HOWKINS, Alun and VERDON, Nicola (2009). The state and the farm worker: the evolution of the minimum wage in agriculture in England and Wales, 1909-24. Agricultural history review, 57 (2), 257-274.

JEFFREY, Andrew (2017). Review: ‘Swims’ by Elizabeth-Jane Burnett. Poetry School Blog.

JONES, Lucy and MILLS, Sara (2014). Analysing agency: reader responses to Fifty shades of grey. Gender and Language, 8 (2).

JONES, Peter E (2015). ‘Coordination’ (Herbert H Clark), ‘integration’ (Roy Harris) and the foundations of communication theory: common ground or competing visions? Language Sciences, 53 (Part A), 31-43.

JONES, Peter E. (2018). Integrationist reflections on the place of dialogue in our communicational universe: laying the ghost of segregationism? Language and Dialogue, 8 (1), 118-138.

JONES, Peter E. and COLLINS, Chik (2016). 'Activity Theory' meets austerity - or does it? The challenge of relevance in a world of violent contradiction and crisis. Theory and Struggle (117), 93-99.

KIVLAND, Sharon (2014). 'The Men'. E.R.O.S., 4, 65-79.

LAYCOCK, Joanne (2012). Armenian homelands and homecomings 1945-9 : the repatriation of diaspora Armenians to the Soviet Union. Cultural and Social History, 9 (1), 103-123.

LAYCOCK, Joanne (2017). Belongings: People and Possessions in the Armenian Repatriations 1945-49. Kritika : Exploration in Russian and Eurasian History, 18 (3), 511-537.

LAYCOCK, Joanne (2015). Beyond national narratives? : centenary histories, the First World War and the Armenian Genocide. Revolutionary Russia, 28 (2), 93-117.

LAYCOCK, Joanne (2017). Saving the remnant or building socialism? Transnational humanitarian relief in early Soviet Armenia. Moving the Social: Journal of Social History and the History of Social Movements, 57.

LAYCOCK, Joanne (2016). Survivor or Soviet stories? Repatriate narratives in Armenian histories, memories and identities. History and memory, 28 (2), 123-151.

LLOYD-JONES, Roger and LEWIS, Merv (2011). Armaments firms, the state procurement system, and the Naval Industrial Complex in Edwardian Britain. Essays in Economics and Business History, 29, 23-39.

LLOYD-JONES, Roger and LEWIS, Merv (2008). A war of machinery : the British machine tool industry and arming the Western Front, 1914-1916. Essays in Economics and Business History, 26, 117-132.

MACCROSSAN, Colm (2014). Framing "Nova Albion": Marking possession in Richard Hakluyt's The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation. SEDERI Yearbook, 24, 47-68.

MACMAHON, Barbara (2009). Metarepresentation and decoupling in Northanger Abbey: part 1. English Studies, 90 (5), 518-544.

MACMAHON, Barbara (2009). Metarepresentation and decoupling in Northanger Abbey: part 2. English Studies, 90 (6), 673-694.

MACMAHON, Barbara (2001). Relevance theory and the use of voice in poetry. Belgian journal of linguistics, 15, 11-34.

MACMAHON, Barbara (2007). The effects of sound patterning in poetry: a cognitive pragmatic perspective. Journal of literary semantics, 36 (2), 103-120.

MACMAHON, Barbara (2001). The effects of word substitution in slips of the tongue: Finnegans Wake and The Third Policeman. English studies, 82 (3), 231-246.

MANN, Craig Ian (2017). It rained fire : "The Running Man" from Bachman to Schwarzenegger. Science Fiction Film and Television, 10 (2), 197-213.

MCGRATH, Lisa and KAUFHOLD, Kathrin (2016). English for Specific Purposes and Academic Literacies: Eclecticism in academic writing pedagogy. Teaching in Higher Education, 21 (8), 933-947.

MCINNIS, D and STEGGLE, Matthew (2011). Folger MS X.d.390 (1-2), and Folger MS X.d.391. Notes and Queries, 58 (3), 374-376.

MCPHERSON, Sue (2017). Gissing’s New Grub Street and the Wider Concerns of Impoverishment. English Literature in Transition 1880-1920, 60 (4), 490-505.

MCDERMOTT, Kevin (2010). Popular resistance in Communist Czechoslovakia : The Plzeň Uprising, June 1953. Contemporary European History, 19 (4), 287-307.

MCDERMOTT, Kevin (2008). A “polyphony of voices”? : Czech popular opinion and the Slánský Affair’. Slavic Review, 67 (4), 840-865.

MCPHERSON, Susan (2006). On being "tempted to knit": writing, reviewing and reading biography. Nineteenth-century contexts.

MCPHERSON, Susan (2001). Opening the open secret: the Stowe-Byron controversy. Victorian review, 27 (1), 86-101.

MIDGLEY, Clare (2014). Colonial discourses about Indian women. Journal of Postcolonial Writing, 50 (6), 743-747.

MIDGLEY, Clare (2013). Liberal Religion and the ‘Woman Question’ between East and West: Perspectives from a Nineteenth-Century Bengali Women's Journal. Gender & History, 25 (3), 455-460.

MIDGLEY, Clare (2013). Mary Carpenter and the Brahmo Samaj of India: a transnational perspective on social reform in the age of empire. Women's History Review, 22 (3), 363-385.

MIDGLEY, Clare (2011). Transoceanic commemoration and connections between Bengali Brahmos and British and American Unitarians. The Historical Journal, 54 (03), 773-796.

NIXON, Mark, PENTLAND, Gordon and ROBERTS, Matthew (2012). The material culture of Scottish reform politics, c.1820-c.1884. Journal of Scottish Historical Studies, 32 (1), 28-49.

O'BRIEN, Shelley (2015). The Devil's in the detail: Musical form and function in Profondo Rosso. The Void - SHU Film Magazine, 10-11.

O'BRIEN, Shelley (2017). Nobody wants to know: An appreciation of De Palma's Blow out. The Void, SHU Film Magazine, 2 (1), 8-9.

O'CALLAGHAN, Conor (2011). Smoke ‘n’ Guns: A preface to a poem about marginal Souths and then the poem. Southern Cultures, 17 (1), 103-112.

PATERSON, Laura, COFFEY-GLOVER, Laura and PEPLOW, David (2016). Negotiating stance within discourse of class: reactions to Benefits Street. Discourse and Society, 27 (2), 195-214.

PEACE, Mary (2002). Epicures in rural pleasures: desire, dissent and sentimental economy in Sarah Scott's Millennium Hall. Women's writing, 9 (2), 305-316.

PEACE, Mary (2007). The Magdalen Hospital and the fortunes of whiggish sentimentality in mid-eighteenth century Britain: "well-grounded" exemplarity vs. "romantic" exceptionality. The eighteenth century, 48 (2), 125-148.

PEPLOW, David (2011). 'Oh, I've known a lot of Irish people': Reading groups and the negotiation of literary interpretation. Language and Literature, 20 (4), 295-315.

PETERSSON, Niels (2018). Managing a 'people business' in times of uncertainty: Human resources in Ocean Transport & Trading’s strategy in the 1970s. Enterprise and Society, 19 (1), 88-123.

REVELEY, J and SINGLETON, John (2014). Clearing the cupboard : the role of public relations in London clearing banks' collective legitimacy-seeking, 1950-1980. Enterprise and Society, 15 (3), 472-498.

REVELEY, James and SINGLETON, John (2016). Labour, Industrial Revitalization, and the Financial Sector, 1970–79. Twentieth Century British History, 27 (4), 599-620.

ROBERTS, Matthew (2015). Archive Report: Labouring in the Un-digitized Chartist Archive. Labour history review, 80 (2), 195-200.

ROBERTS, Matthew (2013). Chartism, Commemoration and the Cult of the Radical Hero c.1770-c.1840. Labour history review, 78 (1), 3-32.

ROBERTS, Matthew (2013). Election Cartoons and Political Communication in Victorian England. Cultural and Social History, 10 (3), 369-395.

ROBERTS, Matthew (2011). Resisting “Arithmocracy”: Parliament, community, and the Third Reform Act. Journal of British Studies, 50 (2), 381-409.

ROBERTSON, Nicole (2014). The business of leisure: sport, labour and co-operation in post-war Britain. Labor History, 55 (5), 638-653.

RUTTER, Tom (2005). Fit Hamlet, fat Hamlet and the problems of aristocratic labour. Cahiers elisabethains, 68, 27-32.

RUTTER, Tom (2009). Marlovian echoes in the Admiral’s Men Repertory: Alcazar, Stukeley, Patient Grissil. Shakespeare Bulletin, 27 (1), 27-38.

RUTTER, Tom (2006). Merchants of Venice in A Knack to Know an Honest Man. Medieval and Renaissance drama in England, 19, 194-200.

RUTTER, Tom (2008). Patient Grissil and Jonsonian satire. SEL Studies in English Literature, 48 (2), 283-303.

RUTTER, Tom (2007). The actors in Sir Thomas More. Shakespeare yearbook, 18, 223-240.

SANCHEZ-ARCE, Ana M (2007). Authenticism, or, the authority of authenticity. Mosaic: a journal for the interdisciplinary study of literature, 40 (3), 139-155.

SANCHEZ-ARCE, Ana M (2002). Re-seeding "Englishness": agonism in Timothy Mo's Sour Sweet and Hanif Kureishi's The Buddha of Surburbia. Southeast Asian review of English.

SAYERS, Dave (2007). How Narrow is Narrowcasting? Are regional dialects standardised for national TV? Essex Graduate Journal of Sociology, 7 (1), 56-70.

SAYERS, Dave (2014). Model answers: a rejoinder to the responses to the mediated innovation model. Journal of Sociolinguistics, 18 (2), 272-276.

SAYERS, Dave (2012). Standardising Cornish : the politics of a new minority language. Language Problems and Language Planning, 36 (2), 99-119.

SAYERS, Dave (2012). Standardising Cornish: The politics of a new minority language. Language Problems and Language Planning, 36 (2), 99-119.

SAYERS, Dave (2014). The mediated innovation model: a framework for researching media influence in language change. Journal of Sociolinguistics, 18 (2), 185-212.

SAYERS, Dave, HARDING, Jamie, BARCHAS-LICHTENSTEIN, Jena, COFFEY, Michael and ROCK, Frances (2017). Speeding up or reaching out? : efficiency and unmet need as policy priorities in Wales. Journal of Language & Politics, 16 (3), 388-411.

SAYERS, Dave and LÁNCOS, Petra Lea (2017). (Re)defining linguistic diversity: What is being protected in European language policy? SKY Journal of Linguistics, 30, 35-73.

SAYERS, Dave and RENKÓ-MICHELSÉN, Zsuzsanna (2015). Phoenix from the ashes: reconstructed Cornish in relation to Einar Haugen’s four-step model of language standardisation. Sociolinguistica: Internationales Jahrbuch fuer europaeische Soziolinguistik, 29 (1), 17-38.

SCHENK, Catherine and SINGLETON, John (2011). Basket pegs and exchange rate regime change : Australia and New Zealand in the mid-seventies. Australian Economic History Review, 51 (2), 120-149.

SHARP, Ingrid and STIBBE, Matthew (2018). ‘In diesen Tagen kamen wir nicht von der Straße...’: Frauen in der deutschen Revolution von 1918/19. Ariadne: Forum für Frauen- und Geschlechtergeschichte, 73/74, 32-39.

SHARP, Ingrid and STIBBE, Matthew (2016). Introduction: women’s international activism during the inter-war period, 1919-1939’. Women's History Review, 26 (2), 163-172.

SINGLETON, John (2009). The euromarkets and the New Zealand government in the 1960s. Australian Economic History Review, 49 (3), 252-275.

SINGLETON, John and GRIETJIE, Verhoel (2010). Regulation, deregulation and internationalization in South African and New Zealand banking. Business History, 52 (4), 536-563.

SINGLETON, John and SCHENK, Catherine (2015). The shift from sterling to the dollar 1965-76 : evidence from Australia and New Zealand. Economic History Review, 68 (4), 1154-1176.

SKELTON, Felicity (2012). Echo writes back: the figure of the author in 'true short story' by Ali Smith. Short fiction in theory and practice, 2 (1), 99-111.

STEGGLE, Matthew (2001). Brome, Covent Garden, and 1641. Renaissance forum, 5 (2).

STEGGLE, Matthew (2016). 'The Comedy of a Duke of Ferrara' in 1598. Early Theatre, 19 (2), 139-156.

STEGGLE, Matthew (2009). Doctor Faustus and the Devils of Empedocles. Notes and Queries, 56 (4), 544-547.

STEGGLE, Matthew (2004). James Yates, Elizabethan servant poet. Studies in philology, 101 (1), 48-58.

STEGGLE, Matthew (2017). Jordan and Sharpham: A lost play and an annotated playbook. Notes and Queries, 64 (3), 403-406.

STEGGLE, Matthew (2012). A Lost Turk Play : actors Mufti Nassuf &c (1614–42). Ben Jonson Journal, 19 (1), 45-64.

STEGGLE, Matthew (2017). Philip Henslowe's Artificial Cow. Medieval and Renaissance Drama in England, 30.

STEGGLE, Matthew (2010). Prospero and plagiarism : Early Modern Studies and the rise of Wikipedia. Digital Studies / Le champ numérique, 2 (1).

STEGGLE, Matthew (2016). Two Emendations to Measure for Measure. Notes and Queries, 63 (3), 425-427.

STEGGLE, Matthew (2014). The cruces of Measure for Measure and EEBO-TCP. The Review of English Studies, 65 (270), 438-455.

STEGGLE, Matthew (2010). A lost Jacobean tragedy : Henry the Una (c. 1619). Early Theatre, 13 (1), 65-82.

STIBBE, Matthew (2008). Civilian internment and civilian internees in Europe, 1914-20. Immigrants & minorities, 26 (1-2), 49-81.

STIBBE, Matthew (2014). Enemy aliens, deportees, refugees: internment practices in the Habsburg Empire, 1914-1918. Journal of Modern European History, 12 (4), 479-499.

STIBBE, Matthew (2012). In and beyond the racial state: gender and national socialism, 1933-1955. Politics, religion and ideology, 13 (2), 159-178.

STIBBE, Matthew (2011). Jürgen Kuczynski and the search for a (non-existent) Western spy ring in the East German Communist Party in 1953. Contemporary European History, 20 (1), 61-79.

STIBBE, Matthew (2013). Reactions from the other Germany : the Fischer Controversy in the German Democratic Republic. Journal of Contemporary History, 48 (2), 315-332.

STIBBE, Matthew (2006). The internment of civilians by belligerent states during the First World War and the response of the international committee of the Red Cross. Journal of Contemporary History, 41 (1), 5-19.

SÁNCHEZ-ARCE, Ana María (2018). Performing innocence: violence and the nation in Ian McEwan’s Saturday and Sunjeev Sahota’s Ours Are the Streets. The Journal of Commonwealth Literature, 53 (2), 194-210.

TARLO, Harriet (2009). Recycles : the eco-ethical poetics of found text in contemporary poetry. Journal of Ecocriticism, 1 (2), 114-130.

TARLO, Harriet (2012). 'An insurmountable chasm?': re-visiting, re-imagining and re-writing classical pastoral through the modernist poetry of H.D. Classical Receptions Journal, 4 (2), 235-260.

TARLO, Harriet (2011). 'The page is slowly turning black': Rachel Blau DuPlessis’s 'Torques: Drafts 58–76',. Jacket2.

TARLO, Harriet and TUCKER, Judith (2017). ‘Off path, counter path’: contemporary walking collaborations in landscape, art and poetry. Critical Survey, 29 (1), 105-132.

TAYLOR, Antony (2018). "The Pioneers of the Great Army of Democrats": The Mythology and Popular History of the British Labour Party, 1890-1931. Historical Research, 91 (254), 723-743.

TAYLOR, Antony (2016). The Transnational Turn in British Labour History. Labour history review, 81 (1), 77-87.

TAYLOR, Antony (2016). The Whiteway Anarchists in the Twentieth Century: a transnational community in the Cotswolds. History, 101 (344), 62-83.

TAYLOR, Antony David (2020). 'At the Mercy of the German Eagle': images of London in dissolution in the novels of William Le Queux. Critical Survey, 32 (1/2), p. 59.

TAYLOR, Tony (2018). "The Local in the Global": memories of northern industrial protest in a transnational context, 1880-1930. International Journal of Regional and Local History, 13 (2), 118-133.

TAYLOR, Tony (2012). 'We dream our dream still' ruralism, empire and the debate about New Australia in Britain. Labour history review, 77 (2), 163-187.

THORAL, Marie-Cecile (2012). Colonial medical encounters in the nineteenth century : the French campaigns in Egypt, Saint Domingue and Algeria. Social History of Medicine, 25 (3), 608-624.

THORAL, Marie-Cecile (2015). Sartorial Orientalism: cross-cultural dressing in Colonial Algeria and metropolitan France in the Nineteenth Century. European History Quarterly, 45 (1), 57-82.

TOMSETT, Eleanor (2018). Positives and negatives: reclaiming the female body and self-deprecation in stand-up comedy. Comedy Studies, 9 (1), 6-18.

TOMSETT, Eleanor (2017). Twenty-first century fumerist : Bridget Christie and the backlash against feminist comedy. Comedy Studies, 8 (1), 57-67.

TURNER, Georgina, MILLS, Sara, VAN DER BOM, Isabelle, COFFEY-GLOVER, Laura, PATERSON, Laura L and JONES, Lucy (2018). Opposition as victimhood in newspaper debates about same-sex marriage. Discourse and Society, 29 (2), 180-197.

TWELLS, Alison (2013). An Africa of religious life : Fredrika Bremer’s American Faith Journey, 1849-1851. Journal of Women’s History, 25 (1), 158-181.

TWELLS, Alison (2018). Iron Dukes and Naked Races: Edward Carpenter's Sheffield and LGBTQ Public History. International Journal of Local and Regional History, 13 (1), 47-67.

TWELLS, Alison (2015). ‘Went into raptures’: reading emotion in the ordinary wartime diary, 1941-1946. Women's History Review, 25 (1), 143-160.

TWELLS, Alison (2012). The innate yearnings of our souls : subjectivity, religiosity and outward testimony in Mary Howitt's Autobiography(1889). Journal of Victorian Culture, 17 (3), 309-328.

VAN DER BOM, Isabelle, GRAINGER, Karen, PATERSON, Laura and PEPLOW, David (2017). ‘It’s not the fact they claim benefits but their useless, lazy, drug taking lifestyles we despise’: Analysing audience responses to Benefits Street using live tweets. Discourse, Context, & Media, 21, 36-45.

VAN DER BOM, Isabelle and MILLS, Sara (2015). A discursive approach to the analysis of politeness data. Journal of Politeness Research, 11 (2), 179-206.

VERDON, Nicola (2009). Agricultural labour and the contested nature of women’s work in interwar England and Wales. The Historical Journal, 52 (1), 109-130.

VERDON, Nicola (2012). Business and pleasure : middle-class women’s work and the professionalization of farming in England, 1890-1939. Journal of British Studies, 51 (2), 393-415.

VERDON, Nicola (2016). Left out in the cold: Village women and agricultural labour in England and Wales during the First World War. Twentieth Century British History, 27 (1), 1-25.

VERDON, Nicola (2010). "The modern countrywoman”: farm women, domesticity and social change in interwar Britain. History Workshop Journal, 70 (1), 86-107.

ZIA-EBRAHIMI, Reza (2012). ‘Arab invasion’ and decline, or the import of European racial thought by Iranian nationalists. Ethnic and Racial Studies, 37 (6), 1043-1061.

ZIA-EBRAHIMI, Reza (2012). Courting the former colony: Algeria’s special position in French Third World policy, 1963. The Journal of North African Studies, 17 (1), 23-44.

ZIA-EBRAHIMI, Reza (2011). Self-Orientalisation and dislocation: the uses and abuses of the Aryan discourse in Iran. Iranian Studies, 44 (4), 445-472.

ZIA-EBRAHIMI, Reza (2011). An emissary of the Golden Age: Manekji Limji Hataria and the charisma of the archaic in pre-nationalist Iran. Studies in Ethnicity and Nationalism, 10 (3), 377-390.

Book Section

ABULHAWA, Dani (2015). Locating rhythms : improvised play in the built environment. In: MACLEAN, Malcolm, RUSSELL, Wendy and RYALL, Emily, (eds.) Philosophical Perspectives on Play. Abingdon, Routledge, 136-151.

AITKEN, Robbie (2013). Education and migration: Cameroonian school children and apprentices in the German metropole, 1884-1914. In: HONECK, Mischa, KLIMKE, Martin and KUHLMANN, Anne, (eds.) Germany and the Black diaspora, : points of contact, 1250-1914. Studies in German History (15). New York, Berghahn, 213-230.

BARTH, Boris, GÄNGER, Stefanie and PETERSSON, Niels (2014). Einleitung: Globalisierung und Globalgeschichte. In: BARTH, Boris, GÄNGER, Stefanie and PETERSSON, Niels, (eds.) Globalgeschichten : Bestandsaufnahme und Perspektiven. Frankfurt am Main, Campus, 7-18.

BEALS, Melodee (2015). The role of The Sydney Gazette in the creation of Australia in the Scottish public sphere. In: FEELEY, Catherine and HINKS, John, (eds.) Historical networks in the book trade. The history of the book . Pickering & Chatto.

BELL, A. (2007). "Do you want to hear about it?" Exploring possible worlds in Michael Joyce's Hyperfiction, afternoon, a story. In: STOCKWELL, P. and LAMBROU, M., (eds.) Contemporary stylistics. Continuum, 43-55.

BELL, Alice (2016). ‘I felt like I’d stepped out of a different reality’: possible worlds theory, metalepsis and digital fiction. In: GAVINS, Joanna and LAHEY, Ernestine, (eds.) World Building: Discourse in the Mind. Advances in stylistics . Bloomsbury, 15-32.

BELL, Alice (2014). Media-specific metalepsis in 10:01. In: BELL, Alice, ENSSLIN, Astrid and RUSTAD, Hans Kristian, (eds.) Analyzing digital fiction. Routledge Studies in Rhetoric and Stylistics (5). New York, Routledge, 21-38.

BELL, Alice (2011). Ontological boundaries and conceptual leaps : the significance of possible worlds for hypertext fiction (and beyond). In: PAGE, Ruth and THOMAS, Bronwen, (eds.) New narratives : stories and storytelling in the digital age. Frontiers of narrative series . University of Nebraska Press, 63-82.

BELL, Alice (2013). Unnatural narration in hypertext fiction. In: ALBER, Jan, SKOV NEILSON, Henkrik and RICHARDSON, Brian, (eds.) A poetics of unnatural narrative. Ohio State University Press, 185-198.

BELL, Alice and ENSSLIN, Astrid (2018). Digital fiction and unnatural narrative. In: DINNEN, Zara and WARHOL, Robyn, (eds.) The Edinburgh companion to contemporary narrative theories. Edinburgh companions to literature and the humanities . Edinburgh, Edinburgh University Press.

BELL, Alice, ENSSLIN, Astrid and RUSTAD, Hans (2014). From theorizing to analyzing digital fiction. In: BELL, Alice, ENSSLIN, Astrid and RUSTAD, Hans Kristian, (eds.) Analyzing digital fiction. Routledge Studies in Rhetoric and Stylistics (5). New York, Routledge, 3-17.

BROWSE, Sam (2017). Between truth, sincerity, and satire: Post-truth politics and the rhetoric of sincerity. In: VAN DEN AKKER, Robin, GIBBONS, Alison and VERMEULEN, Timothy, (eds.) Metamodernism : Historicity, Affect and Depth after Postmodernism. New York, Rowman and Littlefield, 167-182.

BROWSE, Sam (2014). Resonant Metaphor in Kazuo Ishiguro’s ‘Never Let Me Go'. In: HARRISON, Chloe, NUTTALL, Louise, STOCKWELL, Peter and YUAN, Wenjuan, (eds.) Cognitive Grammar in Literature. Linguistic Approaches to Literature (17). Amsterdam, John Benjamins, 69-82.

BROWSE, Sam (2016). 'This is not the end of the world’: situating metaphor in the text-worlds of the 2008 British Financial Crisis. In: GAVINS, Joanna and LAHEY, Ernestine, (eds.) World Building: Discourse in the Mind. Advances in Stylistics . London, Bloomsbury, 183-203.

CADMAN, Daniel (2017). 'Constant in any undertaking': Writing the Lipsian State in Measure for Measure. In: HALSEY, Katie and VINE, Angus, (eds.) Shakespeare and Authority: Citations, Conceptions and Constructions. Houndmills, Palgrave Macmillan. (In Press)

CADMAN, Daniel (2014). Stoicism, Calvinism, and Determinism in Fulke Greville's "Alaham". In: MARDOCK, James and MCPHERSON, Kathryn, (eds.) Stages of Engagement : Drama and Religion in Post-Reformation England. Pittsburgh, Duquesne University Press, 41-62.

CADMAN, Daniel (2012). "The very nerves of state" : biopolitics and sovereignty in Shakespeare's Vienna. In: LEMONNIER-TEXIER, Delphine and WINTER, Guillaume, (eds.) Lectures de Measure for Measure de William Shakespeare. Mondes Anglophones . Presses Universitaires de Rennes, 159-172.

CLARK, Jodie (2011). No, like proper north” : re-drawing boundaries in an emergent community of practice’. In: Discursive Approaches to Politeness. Mouton series in pracgmatics . Berlin, De Gruyter Mouton, 109-132.

CLARK, Jodie (2011). Relational work in a sporting community of practice. In: DAVIES, Bethan L, HAUGH, Michael and MERRISON, Andrew John, (eds.) Situated politeness. Continuum.

COLLINS, Bruce (2013). Britain and the wars of 1793-1815. In: WOOLGAR, C M, (ed.) Wellington Studies. University of Southampton, 1-37.

COLLINS, Bruce (2008). Siege warfare in the age of Wellington. In: WOOLGAR, Chris M., (ed.) Wellington Studies. Southampton, University of Southampton, 22-53.

CONNOLLY, A. (2007). Evaluating virginity: a Midsummer Night's Dream and the iconography of marriage. In: CONNOLLY, A. and HOPKINS, L., (eds.) Goddesses and Queens: the iconography of Elizabeth I. Manchester, Manchester University Press, 136-153.

CONNOLLY, Annaliese (2011). Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory. In: MCJANNET, Linda and ANDREA, Bernadette, (eds.) Early modern England and Islamic worlds. Early modern cultural studies . Palgrave Macmillan.

CONNOLLY, Annaliese (2011). In the repertoire: women beware women on stage. In: HISCOCK, Andrew, (ed.) Women beware women: a critical guide. Continuum Renaissance Drama Guides . Continuum, 59-76.

CONNOLLY, Annaliese (2009). New directions : Shakespeare and the Fairy King : re-viewing the cultural and political contexts of A Midsummer Night's Dream. In: BUCCOLA, Regina, (ed.) A Midsummer Night's Dream : a critical guide. Continuum Renaissance drama . Continuum, 131-149.

COX, Katharine (2011). 'Imagine Dust with a capital letter': interpreting the social and cultural contexts for Philip Pullman's transformation of dust. In: BARFIELD, Steven and COX, Katharine, (eds.) Critical perspectives on Philip Pullman’s His Dark Materials essays on the novels, the film and the stage productions. Jefferson, McFarland, 126-142.

COX, Katharine (2009). Knotting up the cat's cradle: Exploring time and space in Jeanette Winterson's novels. In: SONMEZ, Margaret J-M and OZYURT KILIC, Mine, (eds.) Winterson narrating time and space. Cambridge, Cambridge Scholars, 50-64.

COX, Katharine (2009). Poststructuralism and postmodernism. In: COCKIN, Katharine and MORRISON, Jago, (eds.) The Post-War British Literature Handbook. Literature and culture handbooks . London, Continuum, 125-130.

COX, Katharine (2013). Textual crossings: transgressive devices in Iain (M.) Banks’ fiction. In: COLEBROOK, Martyn and COX, Katharine, (eds.) The transgressive Iain Banks: essays on a writer beyond borders. McFarland, 87-99.

COX, Katharine and JORDAN, Spencer (2013). Reading Philip Pullman’s His Dark Materials: A Special Edition of the Journal of Children’s Literature Studies. In: CARRINGTON, Bridget and PINSENT, Pat, (eds.) The final chapters: Concluding papers of the journal of children's literature studies. Trowbridge, Wizards Tower Press.

DEJUNG, Christof and PETERSSON, Niels (2013). Introduction: power, institutions, and global markets – actors, mechanisms, and foundations of worldwide economic integration, 1850–1930. In: DEJUNG, Christof and PETERSSON, Niels, (eds.) The foundations of world-wide economic integration : power, institutions, and global markets, 1850-1930. Cambridge Studies in the Emergence of Global Enterprise . Cambridge, Cambridge Univesrity Press, 1-20.

DODGSON-KATIYO, Pauline (2008). Asylum stories : constructing Zimbabwean identities in the diaspora. In: RINGS, Guido and IFE, Anne, (eds.) Neo-colonial mentalities in contemporary Europe? : language and discourse in the construction of identities. Newcastle, Cambridge Scholars Press, 67-83.

DODGSON-KATIYO, Pauline (2009). In the enemy's camp : women representing male violence in Zimbabwe's wars. In: BORG BARTHET, Stella, (ed.) Shared waters : soundings in postcolonial literatures. Cross/Cultures (18). Amsterdam, Rodopi, 61-74.

DREDGE, Sarah (2018). “I have tried to write truthfully”: fictions of science in women’s writing of nineteenth-century political economy. In: ADELMAN, Richard and PACKHAM, Catherine, (eds.) Political economy, literature & the formation of knowledge, 1720-1850. Routledge Studies in Eighteenth-Century Literature (16). New York, Routledge, 89-118.

DREWERY, Claire (2015). Liminal and liminoid discourses in modernist women’s short fiction : performance, spectatorship, and cinema. In: ACHILLES, Jochen and BERGMANN, Ina, (eds.) Liminality and the Short Story : Boundary Crossings in American, Canadian, and British Writing. Routledge Interdisciplinary Perspectives on Literature . New York, Routledge, 50-62.

EARNSHAW, Steve (2013). Creative writing and “the lash of criticism". In: HARPER, Graeme, (ed.) A companion to creative writing. Chichester, Wiley-Blackwell, 213-228.

EARNSHAW, Steve (2014). Introduction. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 1-7.

EARNSHAW, Steve (2012). 'Men couldn't imagine women's lives': teaching gender and creative writing. In: FERREBE, Alice and TOLAN, Fiona, (eds.) Teaching gender. Teaching the new English . Palgrave Macmillan, 83-101.

EARNSHAW, Steve (2011). Why Eliot killed Lydgate: 'joyful cruelty' in Middlemarch. In: MOUSLEY, Andy, (ed.) Towards a new literary humanism. Palgrave Macmillan.

EARNSHAW, Steve (2014). The writer as artist. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 65-77.

EARNSHAW, Steven (2015). Drink, dissolution, antibiography: the existential drinker. In: HAILWOOD, Mark and TONER, Deborah, (eds.) Biographies of Drink. Newcastle upon Tyne, Cambridge Scholars Press, 204-222.

ELLIS, Jonathan and SANCHEZ-ARCE, Ana M (2011). The unquiet dead : memories of the Spanish Civil War in Guillermo del Toro's Pan's Labyrinth. In: SINHA, Amresh and MCSWEENEY, Terence, (eds.) Millennial cinema : memory in global film. New York, Columbia University Press, 173-191.

GREEN, Keith (2015). Deixis in literature. In: SOTIROVA, Violeta, (ed.) The Bloomsbury companion to stylistics. Bloomsbury Companions . London, Bloomsbury Academic, 400-415.

HAMILTON, Douglas (2019). Brothers in arms: Crossing imperial boundaries in the eighteenth-century Dutch West Indies. In: BARCZEWSKI, Stephanie and FARR, Martin, (eds.) The MacKenzie moment and imperial history: Essays in honour of John M MacKenzie. Britain and the world . Basingstoke, Palgrave.

HAMILTON, Douglas J (2014). 'Defending the colonies against malicious attacks of philanthropy': Scottish campaigns against the abolitions of the slave trade and slavery. In: MACINNES, Allan I and HAMILTON, Douglas J, (eds.) Jacobitism, enlightenment and empire, 1680-1820. Political and popular culture in the early modern period (8). London, Pickering & Chatto, 193-208.

HARRIS, Michael (2012). Creativity, compromise and waking up with the funding devil. In: HECQ, Dominicque, (ed.) The creativity market : creative writing in the 21st century. New Writing Viewpoints . Bristol, Multilingual Matters, 120-133.

HARRIS, Michael (2014). Introduction to scriptwriting. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 251-262.

HARRIS, Michael (2014). Writing for radio. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 273-281.

HAWKE, Gary and SINGLETON, John (2016). State and Central Bank in New Zealand. In: FEIERTAG, Olivier and MARGAIRAZ, Michel, (eds.) Les Banques Centrales et l'Ētát-Nation. Collection de la Mission Historique de la Banque de France . Paris, Presses de Sciences Po, 213-230.

HERMESTON, Rodney (2017). Tensions, Transformations, and Local Identity: The Evolving Meanings of Nineteenth-Century Tyneside Dialect Songs. In: GOODRIDGE, John and KEEGAN, Bridget, (eds.) A History Of British Working Class Literature. Cambridge, Cambridge University Press, 281-295.

HONEYWELL, Carissa (2012). Anarchism old and new. In: KINNA, Ruth, (ed.) The Continuum Companion to Anarchism. Bloomsbury companions . Continuum, 111-139.

HOPKINS, Chris (2009). Caradoc Evans's Modernist Antipastoral. In: JAMES, David and TEW, Philip, (eds.) New version of pastoral : post-romantic, modern and contemporary responses to the tradition. Madison [N.J.], Fairleigh Dickinson University Press, 107-122.

HOPKINS, Chris (2010). "Frustrated Spinsters" and "Morbid Degenerate[s]"?: women and men in Winifred Holtby's Truth is Not Sober (1934). In: REGAN, Lisa, (ed.) Winifred Holtby, 'A Woman in her time' : critical essays. Newcastle, Cambridge Scholars, 149-171.

HOPKINS, Chris (2018). Hiraeth and ambiguous pastorals : Wales, England, and rural modernities between the Wars. In: BLUEMEL, Kristin and MCCLUSKEY, Michael, (eds.) Rural Modernity in Britain : A Critical Intervention. Edinburgh, Edinburgh University Press.

HOPKINS, Chris (2009). Wales (1937-9), The Welsh Review (1939-41). In: BROOKER, Peter and THACKER, Andrew, (eds.) The Oxford critical and cultural history of modernist magazines. Vol. 1, Britain and Ireland 1880-1955. Oxford, Oxford University Press, 714-734.

HOPKINS, L. (2008). Marriage in Shakespeare: a community affair. In: DAHIVA, B. S., (ed.) Postmodern essays on love, sex, and marriage in Shakespeare,. New Delhi, Viva Books, 1-17.

HOPKINS, Lisa (2005). Cleopatra and the myth of Scota. In: DEATS, Sarah Munson, (ed.) Antony and Cleopatra : new critical essays. Shakespeare criticism . Routledge, 231-242.

HOPKINS, Lisa (2007). ‘Gollum and Caliban: Evolution and Design’. In: CROFT, Janet Brennan, (ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. Critical explorations in science fiction and fantasy . Jefferson, N.C., McFarland, 281-293.

HOPKINS, Lisa (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In: STARKS, Lisa S and LEHMANN, Courtney, (eds.) Spectacular Shakespeare : critical theory and popular cinema. Fairleigh Dickinson University Press, 47-61.

HOPKINS, Lisa (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In: CUDDY, Lois A. and ROCHE, Claire M., (eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. Essays on ideological conflict and complicity . Bucknell University Press, 89-101.

HOPKINS, Lisa (1997). Neighbourhood in Henry V. In: BURNETT, Mark Thornton and WRAY, Ramona, (eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan.

HOPKINS, Lisa (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In: PRAKASH, A. and DAHIYA, S. P. S., (eds.) The critic Shakespeare: essays in appreciation. Haryana, India, The Shakespeare Association, 71-91.

HOPKINS, Lisa (2017). ‘Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts’. In: KRAMP, Michael, (ed.) Jane Austen and Masculinity. Transits: Literature, Thought & Culture 1650-1850 . Lanham, Maryland, Bucknell University Press and Rowman & Littlefield.

HOPKINS, Lisa (2016). The concealed fancies and Cavendish identity. In: EDWARDS, Peter and GRAHAM, Elpseth, (eds.) Authority, authorship and aristocratic identity in Seventeenth-Century England: William Cavendish, Ist Duke of Newcastle, and his political, social and cultural connections. Rulers & Elites (9). Leiden, Brill, 111-128.

HOPKINS, Lisa (2018). A man with a map: The Millennial Macbeth. In: HARTLEY, Andrew James, (ed.) Shakespeare and Millennial fiction. Cambridge, Cambridge University Press, 145-158.

HOPKINS, Lisa, SIEMENS, Raymond G. and STEGGLE, Matthew (2008). EMLS : a case study in the development of an ejournal. In: BOWEN, William R. and SIEMENS, Raymond G., (eds.) New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies . Tempe, Arizona, Iter, 144-160.

LAWSON, Robert and SAYERS, Dave (2016). Introduction. In: LAWSON, Robert and SAYERS, Dave, (eds.) Sociolinguistic Research. Abingdon, Routledge, 1-6.

LAWSON, Robert and SAYERS, Dave (2016). Where we're going, we don't need roads: The past, present and future of impact. In: LAWSON, Robert and SAYERS, Dave, (eds.) Sociolinguistic Research. Abingdon, Routledge, 7-22.

LAYCOCK, Joanne (2009). The repatriation of Armenians to Soviet Armenia, 1945-49. In: GATRELL, Peter and BARON, Nick, (eds.) Warlands : Population Resettlement and State Reconstruction in Soviet Eastern Europe, 1930-1950. London, Palgrave Macmillan, 140-162.

LEWIS, Merv (2009). Lancashire and the Great War: the organisation and supply of munitions to the Western Front. In: WILSON, John F., (ed.) King Cotton : a tribute to Douglas A. Farnie. Carnegie, 223-246.

MACINNES, Allen I and HAMILTON, Douglas J (2014). Introduction: identity, mobility and competing patriotisms. In: MACINNES, Allan I and HAMILTON, Douglas J, (eds.) Jacobitism, enlightenment and empire, 1680-1820. Political and popular culture in the early modern period (8). London, Pickering & Chatto, 1-12.

MACMAHON, Barbara (2012). How literature communicates: a cognitive pragmatic perspective. In: DAIDER, Jürgen, KONRAD, Eva-Maria, PETRASCHKA, Thomas and ROTT, Hans, (eds.) Understanding fiction: knowledge and meaning in literature. Münster, Mentis, 166-186.

MACMAHON, Barbara (2014). Relevance theory, syntax and literary narrative. In: CHAPMAN, Siobhan and CLARK, Billy, (eds.) Pragmatics literary stylistics. Palgrave Studies in Pragmatics, Language and Cognition . Basingstoke, Palgrave Macmillan, 90-110.

MANN, Craig (2016). Death and dead-end jobs: Independent american horror and the great recession. In: BENNETT, Pete and MCDOUGALL, Julian, (eds.) Popular culture and the austerity myth. Routledge Research in Cultural and Media Studies . Abingdon, Routledge, 175-188.

MANZ, Stefan, PANAYI, Panikos and STIBBE, Matthew (2018). Internment during the First World War: a mass global phenomenon. In: MANZ, Stefan, PANAYI, Panikos and STIBBE, Matthew, (eds.) Internment during the First World War : a mass global phenomenon. London and New York, Routledge, 1-18.

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THORAL, Marie-Cecile (2012). Napoleon's Egyptian campaign and Nineteenth-Century orientalism : perceptions and memories in autobiographical accounts and novels. In: FORREST, Alan, ÉTIENNE, François and HAGEMANN, Karen, (eds.) War memories : the Revolutionary and Napoleonic Wars in modern European culture. War, Culture and Society, 1750-1850 . Basingstoke, Palgrave Macmillan, 114-136.

TWELLS, Alison (2011). "We ought to obey God rather than Man” : women, anti-slavery and nonconformist religious cultures, 1800-1840. In: CLAPP, Elizabeth J. and JEFFREY, Julie Roy, (eds.) Women, dissent and anti-slavery in Britain and America, 1790-1865. Oxford, Oxford University Press, 66-87.

TWELLS, Alison (2016). Women at the intersection of the local and the global in schools and community history in Britain since the 1980s. In: MIDGLEY, C., TWELLS, A. and CARLIER, J., (eds.) Women in transnational history : connecting the local and the global. Women's and Gender History . Abingdon, Oxon, Routledge, 180-200.

WOOD, Richard (2015). ‘She made her courtiers learned’ : Sir Philip Sidney, the Arcadia and Step-dame Elizabeth. In: BAMFORD, Karen and MILLER, Naomi J., (eds.) Maternity and romance narratives in early modern England. Women and gender in the early modern world . Farnham, Ashgate, 49-74.

Monograph

EARNSHAW, Steven (2018). The Existential Drinker. Other. Manchester, Manchester University Press.

MCDERMOTT, Kevin and SOMMER, Vitezslav (2013). The 'club of politically engaged conformists?' : The Communist Party of Czechoslovakia, popular opinion and the crisis of Communism, 1956. Working Paper. Washington, D.C., Woodrow Wilson International Center for Scholars.

MCHALE, Alison (2009). Humanities PDP and Careers : networking with SHU graduates. Other. Sheffield Hallam University.

MUSTAPHA, Samuel (2012). Gender equality in and through education in Nigeria: Gender representation in learning materials. Project Report. Unpublished. (Unpublished)

Conference or Workshop Item

CADMAN, Daniel (2015). “Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra. In: Shakespeare 450, Paris, 21-27 April 2014. Societé Française Shakespeare.

MOORE, Nicolas (2011). Modelling the flow of discourse in a corpus of written academic English. In: Corpus Linguistics 2011, University of Birmingham, 20-22 July 2011.

O'BRIEN, Shelley (2009). The Art of Sound : guest lecture. In: Cornwall Film Festival, Falmouth, 12-15 November 2009. (Unpublished)

O'BRIEN, Shelley (2011). Beastly Effects: Soundscapes in Nigel Kneale's Beasts (1976). In: Alien Nation: A Conference on British Science Fiction, Horror and Fantasy Television, Newcastle upon Tyne, 20th and 21st July 2011. (Unpublished)

O'BRIEN, Shelley (2015). Filmbites presents : Takeshi Kitano. In: Filmbites presents : Takeshi Kitano, Sheffield, Three Sundays in May. (Unpublished)

O'BRIEN, Shelley (2015). "God bless your hands!" Rape, Revenge, and resolution in I Spit on Your Grave (1978). In: Reflections on Revenge: A conference on the culture and politics of vengeance, Leicester, 4 September 2015. (Unpublished)

O'BRIEN, Shelley (2012). Nursery crimes : making a case for The Baby. In: Popular Culture Association of Canada 2nd Annual Conference, Sheraton on the Falls, Niagara Falls, Ontario, Canada, 10-12 May 2012. (Unpublished)

O'BRIEN, Shelley (2014). Scoring violence : the importance of Riz Ortolani's music in Don't Torture A Duckling (1972)and Cannibal Holocaust (1980). In: Italian Horror Cinema: An International Film Conference, Luton, 9-10 May 2014. (Unpublished)

O'BRIEN, Shelley and CARTER, Martin (2006). Looking for the Blind Dead: The Application of History and Myth in Amando de Ossorio's Horror Quartet. In: European Nightmares: An International Conference on European Horror Cinema, Manchester, 1-2 June 2006. (Unpublished)

Authored Book

ANDERSON, Susan L. (2017). Echo and Meaning on Early Modern English Stages. Palgrave studies in music and literature . Cham, Palgrave.

BARRETT, E. (2007). Walking on tiptoe and other poems. Bluechrome.

BARRETT, E. (2005). The bat detector. Wrecking Ball Press.

BATTY, S. (2007). The barking thing. Bloodaxe Books.

BEALS, Melodee (2011). Coin, Kirk, Class and Kin : emigration, social change and identity in Southern Scotland. British identities since 1707 . Oxford, Peter Lang.

BELL, Alice (2010). The possible worlds of hypertext fiction. Palgrave Macmillan.

BROWN, Erica (2012). Comedy and the feminine middlebrow novel: Elizabeth von Arnim and Elizabeth Taylor. Literary Texts and the Popular Marketplace . Pickering and Chatto.

BROWN, Lisa and JONES, Peter E. (2014). Bringing back the child : language development after extreme deprivation. Children and Childhoods, 4 . Newcastle, Cambridge Scholars Publishing.

BUSH, Sophie (2013). The theatre Of Timberlake Wertenbaker. Critical Companions . London, Bloomsbury Methuen Drama.

CADMAN, Daniel (2015). Sovereigns and subjects in early modern neo-Senecan drama : republicanism, stoicism and authority. Studies in Performance and Early Modern Drama . Farnham, Ashgate.

CLARK, Jodie (2012). Language, sex and social structure : analysing discourses of sexuality. Palgrave Macmillan.

CLARK, Jodie (2016). Selves, bodies and the grammar of social worlds : reimagining social change. Postdisciplinary Studies in Discourse . London, Palgrave.

COLLINS, Bruce (2010). War and empire : the expansion of Britain, 1790-1830. Harlow, Pearson/Longman, p. 510.

DREWERY, Claire (2011). Modernist short fiction by women : the liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Ashgate.

EARLE, Harriet (2017). Comics, trauma, and the new art of war. Jackson, MS, University Press of Mississippi.

EARNSHAW, Steve (2010). Beginning realism. Beginnings . Manchester, Manchester University Press.

EARNSHAW, Steve (2018). The Danger is Flex. Unknown. (Unpublished)

EARNSHAW, Steven (2016). Memory Clinic. London, Roman Books. (In Press)

GRAINGER, Karen and MILLS, Sara (2015). Directness and indirectness across cultures. Basingstoke, Palgrave Macmillan.

HAGGIS, Jane, MIDGLEY, Clare, ALLEN, Margaret and PAISLEY, Fiona (2017). Cosmopolitan lives on the cusp of Empire: interfaith, cross-cultural and transnational networks, 1860-1950. Palgrave Pivot . Palgrave.

HONEYWELL, Carissa (2011). A British anarchist tradition: Herbert Read, Alex Comfort and Colin Ward. New York, N.Y. ; London, Continuum.

HOPKINS, Chris (2018). Walter Greenwood’s Love on the Dole: Novel, Play, Film - a Case Study. Liverpool English Texts and Studies, 71 . Liverpool, Liverpool University Press.

HOPKINS, Lisa (2011). Drama and the Succession to the Crown, 1561-1633. Studies in performance and early modern drama . Ashgate.

HOPKINS, Lisa (2017). From the Romans to the Normans on the English Renaissance Stage. Medieval Institute Publications. (Unpublished)

HOPKINS, Lisa (2009). Relocating Shakespeare and Austen on Screen. Basingstoke, Palgrave Macmillan.

HOPKINS, Lisa (2014). Renaissance drama on the edge. Ashgate.

HOPKINS, Lisa (2016). Shakespearean allusion in crime fiction: DCI Shakespeare. Palgrave Shakespeare Studies . Palgrave Macmillan. (In Press)

HOPKINS, Lisa (2008). The cultural uses of the Caesars on the English Renaissance stage. Studies in performance and early modern drama . Aldershot, Ashgate.

HOPKINS, Lisa and STEGGLE, Matthew (2006). Renaissance Literature and Culture. Introductions to British Literature and Culture . London, Continuum.

JOHNSTON, Daniel (2017). Theatre and phenomenology: manual philosophy. Basingstoke, Palgrave. (In Press)

JONES, Chris (2013). Jigs and reels. Nottingham, Shoestring Press.

LAYCOCK, Joanne (2009). Imagining Armenia : orientalism, ambiguity and intervention 1878 -1925. Cultural history of modern war . Manchester, Manchester University Press.

LEWIS, Merv, LLOYD-JONES, Roger, MALTBY, Josephine and MATTHEWS, Mark David (2011). Personal capitalism and corporate governance : British manufacturing in the first half of the nineteenth century. Modern Economic and Social History . Farnham, Ashgate.

LLOYD-JONES, Roger and LEWIS, Merv (2016). Arming the Western Front : war business and the state in Britain, 1900-1920. Routledge studies in First World War history . Farnham, Routledge.

MCDERMOTT, Kevin (2015). Communist Czechoslovakia, 1945-89: a political and social history. European History in Perspective . London, Palgrave Macmillan.

MILLS, Sara (2003). Gender and politeness. Studies in interactional sociolinguistics, 17 . Cambridge, Cambridge University Press.

MILLS, Sara (2012). Gender matters : feminist linguistic analysis. London, Equinox.

MILLS, Sara (2008). Language and sexism. Cambridge, Cambridge University Press.

MILLS, Sara and MULLANY, Louise (2011). Language, gender and feminism: theory, methodology and practice. London, Routledge.

O'CALLAGHAN, Conor (2013). The Sun King. Loughcrew, Gallery Press.

PEACE, Mary (2016). Changing sentiments and the Magdalen Hospital: luxury, virtue and the senses in Eighteenth-Century culture. Abingdon, Routledge.

PEPLOW, David (2016). Talk About Books : A Study of Reading Groups. Bloomsbury Academic.

PEPLOW, David, SWANN, Joan, TRIMARCO, Paola and WHITELEY, Sara (2015). The Discourse of Reading Groups : Integrating Cognitive and Sociocultural Approaches. Routledge Research in Literacy . Routledge.

PETERSSON, Niels (2009). Anarchie und Weltrecht: das Deutsche Reich und die Institutionen der Weltwirtschaft, 1890-1930. Kritische Studien zur Geschichtswissenschaft, 183 . Göttingen, Niedersachs, Vandenhoeck & Ruprecht.

RIORDAN, Maurice (2013). The water stealer. London, Faber & Faber.

ROGERS, Jane (2012). Hitting trees with sticks. Comma Press.

ROGERS, Jane (2012). The Testament of Jessie Lamb. Edinburgh, Canongate.

RUTTER, Tom (2008). Work and play on the Shakespearean stage. Cambridge, Cambridge University Press.

SINGLETON, John (2010). Central banking in the twentieth century. Cambridge, Cambridge University Press.

SINGLETON, John (2016). Economic and natural disasters since 1900 : a comparative history. Cheltenham, Edward Elgar.

STEGGLE, Matthew (2015). Digital humanities and the lost drama of early modern England : ten case studies. Studies in performance and early modern drama . Farnham, Ashgate.

STEGGLE, Matthew (2007). Laughing and Weeping in Early Modern Theatres. Studies in Performance and Early Modern Drama . Routledge.

STEGGLE, Matthew (2004). Richard Brome : place and politics on the Caroline stage. Revels Plays Companion Library . Manchester, Manchester University Press.

STIBBE, Matthew (2008). British civilian internees in Germany: the Ruhleben camp, 1914-18. Manchester, Manchester University Press.

STIBBE, Matthew (2010). Germany, 1914-1933: Politics, Society and Culture. Harlow, Pearson.

TARLO, Harriet (2016). Field. Shearsman Books.

TARLO, Harriet (2015). Poems 2004-2014. Bristol, Shearsman Press.

TAYLOR, Tony (2012). London's burning : pulp fiction, the politics of terrorism and the destruction of the capital in British popular culture, 1840-2005. London, Continuum International Publishing Group.

THORAL, Marie-Cecile (2011). From Valmy to Waterloo : France at war, 1792-1815. War, Culture and Society, 1750-1850 . Basingstoke, Palgrave Macmillan.

THORAL, Marie-Cecile (2010). L'émergence du pouvoir local : le département de l'Isère face à la centralisation (1800-1837). Rennes, Presses Universitaires de Rennes.

TWELLS, Alison (2009). The Civilising Mission and the English Middle Class : the 'heathen' at home and overseas 1792-1850. Palgrave Macmillan.

Edited Book

MCDERMOTT, Kevin and STIBBE, Matthew, eds. (2013). The 1989 revolutions in central and eastern Europe: from Communism to pluralism. Manchester, Manchester University Press.

SHARP, Ingrid and STIBBE, Matthew, eds. (2011). Aftermaths of war: Women’s Movements and Female Activists, 1918-1923. History of Warfare, 63 . Leiden, BRILL.

BELL, Alice, ENSSLIN, Astrid and RUSTAD, Hans Kristian, eds. (2014). Analyzing digital fiction. Routledge Studies in Rhetoric and Stylistics, 5 . New York, Routledge.

STIBBE, Matthew, ed. (2009). Captivity, forced labour and forced migration in Europe during the First World War. London, Routledge.

BARFIELD, Steven and COX, Katharine, eds. (2011). Critical perspectives on Philip Pullman's His Dark Materials: essays on the novels, the film and the stage productions. Jefferson, McFarland.

MCDERMOTT, Kevin and STIBBE, Matthew, eds. (2015). De-Stalinising Eastern Europe: The Rehabilitation of Stalin’s Victims after 1953. Basingstoke, Palgrave Macmillan.

MCDERMOTT, Kevin and STIBBE, Matthew, eds. (2018). Eastern Europe in 1968: responses to the Prague Spring and Warsaw Pact Invasion. London, Palgrave Macmillan.

BARTH, Boris, GÄNGER, Stefanie and PETERSSON, Niels P., eds. (2014). Globalgeschichten. Bestandsaufnahme und Perspektiven. Globalgeschichte . Frankfurt am Main, Campus.

EARNSHAW, Steve, ed. (2014). The Handbook of creative writing, 2nd edition. Edinburgh, Edinburgh University Press.

SANCHEZ-ARCE, Ana M, ed. (2013). Identity and form in contemporary literature. Routledge studies in comtemporary literature . Routledge.

MANZ, Stefan, PANAYI, Panikos and STIBBE, Matthew, eds. (2018). Internment during the First World War: a mass global phenomenon. Routledge Studies in First World War History . London and New York, Routledge.

MACINNES, Allan I. and HAMILTON, Douglas, eds. (2014). Jacobitism, enlightenment and empire, 1680-1820. Political and popular culture in the early modern period, 8 . London, Pickering & Chatto.

MCINNIS, David and STEGGLE, Matthew, eds. (2014). Lost plays in Shakespeare's England. Early Modern Literature in History . London, Palgrave Macmillan.

HOPKINS, Lisa and OSTOVICH, Helen, eds. (2014). Magical transformations on the early modern English stage. Studies in performance and early modern drama . Ashgate.

BROWN, Erica and GROVER, Mary, eds. (2011). Middlebrow literary cultures : the battle of the brows, 1920-1960. Palgrave.

KÁDÁR, Dániel Z. and MILLS, Sara, eds. (2011). Politeness in East Asia. Cambridge, Cambridge University Press.

MCDERMOTT, Kevin and STIBBE, Matthew, eds. (2006). Revolution and resistance in Eastern Europe: challenges to communist rule. Oxford and New York, Berg.

LAWSON, Robert and SAYERS, Dave, eds. (2016). Sociolinguistic research: application and impact. Abingdon, Routledge.

MCDERMOTT, Kevin and STIBBE, Matthew, eds. (2010). Stalinist terror in Eastern Europe: elite purges and mass repression. Manchester, Manchester University Press.

ARIELLI, Nir and COLLINS, Bruce, eds. (2012). Transnational soldiers : foreign military enlistment in the modern era. Palgrave Macmillan.

STEGGLE, Matthew, ed. (2011). Volpone : a critical guide. Continuum Renaissance drama . London, Continuum.

O'CALLAGHAN, Conor, ed. (2013). The Wake Forest series in Irish poetry. Vol. 3. Wake Forest University Press.

SHARP, Ingrid and STIBBE, Matthew, eds. (2018). Women’s international activism during the inter-war period, 1919-1939. London, Routledge.

RIORDAN, Maurice, ed. (2014). The finest music : an anthology of early Irish lyrics. London, Faber & Faber.

DEJUNG, Christof and PETERSSON, Niels, eds. (2013). The foundations of world wide economic integration : power, institutions, and global markets, 1850–1930. Cambridge Studies in the Emergence of Global Enterprise . Cambridge, Cambridge University Press.

TARLO, Harriet, ed. (2011). The ground aslant: an anthology of radical landscape poetry. Exeter, Shearsman Books.

COLEBROOK, Martyn and COX, Katharine, eds. (2013). The transgressive Iain Banks: essays on a writer beyond borders. McFarland.

STEGGLE, Matthew, ed. (2010). The English Moor, or The mock-marriage. Richard Brome Online.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester, Manchester University Press.

DEJUNG, Christof and PETERSSON, Niels (2013). The foundations of world-wide economic integration : power, institutions, and global markets, 1850-1930. Cambridge Studies in the Emergence of Global Enterprise . Cambridge, Cambridge University Press.

HOPKINS, Lisa, ed. (2011). The Lady's Trial. Revels Plays ; Revels Plays Companion Library . Manchester, Manchester University Press.

MUNDYE, Charles, ed. (2016). Robert Graves, war poems. Bridgend, Seren.

MIDGLEY, Clare, TWELLS, Alison and CARLIER, Julie (2016). Women in Transnational History : Connecting the local and the global. Women's and Gender History . Abingdon, Oxon., Routledge.

SHARP, Ingrid and STIBBE, Matthew, eds. (2017). Women activists between war and peace : Europe, 1918-1923. London, Bloomsbury.

Performance

WELCH, Linda Lee (2011). At the Crossroads Cafe. [Performance] (Unpublished)

WELCH, Linda Lee (2009). Flossie Paper Doll. [Performance] (Unpublished)

WELCH, Linda Lee (2010). The Woods. [Performance] (Unpublished)

WELCH, Linda Lee, MUSSELWHITE, Fay, GENT, Susannah and HARDING, Michael (2011). Goat Boy and other journeys : adventures in film, music, poetry and taxidermy. [Performance] (Unpublished)

Image

MCHALE, Alison and FREEBORN, Bob (2015). Using the bespoke Google site, 'MyProfile' to engage students on the English Programme with PDP’. [Image] (Unpublished)

Audio

ROGERS, Jane (2008). Dear Writer. [Audio]

ROGERS, Jane (2011). Red Enters the Eye. [Audio]

Other

GENT, Susannah (2011). The Uncanny, the abject and the incongruity theory of humour. SHU. (Unpublished)

HARRIS, Michael (2008). 'From One Extreme to Another'. (Unpublished)

STIBBE, Matthew (2014). Why the Great War Centenary will be a Non-Issue in Germany. The Conversation Trust (UK) Limited.

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