Items where Author is "Kramer, Kaley"

KRAMER, Kaley (2023). Like Nobody Else: Women and Independence in the Novels of Charlotte Smith and Mary Wollstonecraft. In: CARROLL, Rachel and TOLAN, Fiona, (eds.) The Routledge Companion to Literature and Feminism. Routledge Literature Companions . London, Routledge, 29-41.

KRAMER, Kaley (2023). York’s first female printer: Alice Broad, 1661-1680. In: KRAMER, Kaley, STENNER, Rachel and SMITH, Adam James, (eds.) The People of Print: Seventeenth-Century England. Elements in Publishing and Book Culture . Cambridge University Press.

STENNER, Rachel, KRAMER, Kaley, SMITH, Adam James, WILSON, Georgina E.M., SAUNDERS, Joe, CLAYTON, William, YOUNG, Jennifer, FARMER, Alan B., WOODRING, Benjamin, DURRANT, Michael, LIMA, Verônica Calsoni and JOHNSON, Rosalind (2023). The people of print: seventeenth-century England. Elements in publishing and book culture . Cambridge University Press (Elements in Publishing and Book Culture).

KRAMER, Kaley and GRIFFIN, Sarah (2022). Printed by Alice Broade: the career of York's first female printer, 1661-1680. In: KRAMER, Kaley, STENNER, Rachel and SMITH, Adam James, (eds.) Print Culture, Agency, and Regionality in the Hand Press Period. New Directions in Book History . London, Palgrave Macmillan, 1661-1680.

KRAMER, Kaley (2022). Forms and Feelings in the Genre. In: BLOOM, Clive, (ed.) The Palgrave Handbook of Gothic Origins. Palgrave Macmillan, 155-175.

KRAMER, Kaley (2022). Anecdotes of a Convent. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

KRAMER, Kaley (2022). The Butler's Diary. In: Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

KRAMER, Kaley (2022). The Curse of Sentiment. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

KRAMER, Kaley (2022). Waldeck Abbey. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

KRAMER, Kaley (2022). The Weird Sisters. In: LONDON, April, (ed.) Cambridge Guide to the Eighteenth-Century Novel. Cambridge University Press.

KRAMER, Kaley (2017). "How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer. In: YOUNG, Mallory and CHAPPELL, Julie A., (eds.) Bad Girls and Transgressive Women in Popular Television, Fiction, and Film. New York and London, Palgrave Macmillan, 15-31.

KRAMER, Kaley (2016). Property, loss, and mourning in Sophia Lee's 'The Recess'. In: CHAPPELL, Julie A. and STONE STANTON, Kamille, (eds.) Spectacle, sex, and property in Eighteenth-Century literature and culture. AMS Studies in the Eighteenth Century (72). New York, AMS Press.

KRAMER, Kaley (2015). Rethinking Surrender: Elizabeth Inchbald and the "Catholic Novel". In: BARNARD, Teresa, (ed.) British Women and the Intellectual World in the Long Eighteenth Century. British Literature in Context in the Long Eighteenth Century . Abingdon, Ashgate/Routledge, 87-106.

KRAMER, Kaley (2014). Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's 'The Recess'. In: CHAPPELL, Julie and KRAMER, Kaley, (eds.) Women during the English Reformations: negotiating gender and religious identity. New York, Palgrave, 129-144.

KRAMER, Kaley (2012). The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1), p. 4.

KRAMER, Kaley (2009). Women and Property in the Romantic Period: gendered property and generic belonging in Charlotte Smith and Mary Wollstonecraft. Literature Compass, 6 (6), 1145-1158.