Items where Author is "Gibbons, Alison"

GIBBONS, Alison (2023). Text world theory and situation-model research: enhancing validity and tracking world-retrievals. Journal of Literary Semantics, 52 (1).

GIBBONS, Alison (2022). Reading Autofiction: The Cognitive Turn. American Book Review, 43 (2), 32-36.

GIBBONS, Alison (2022). A cognitive model of reading autofiction. English Studies: a journal of English language and literature.

EFFE, A and GIBBONS, Alison (2022). A Cognitive Perspective on Autofictional Writing, Texts, and Reading. In: EFFE, A and LAWLOR, H, (eds.) The Autofictional. Approaches, affordances, forms. Palgrave Studies in Life Writing . Cham, Palgrave Macmillan, 61-81.

EFFE, Alexandra and GIBBONS, Alison (2022). A Cognitive Perspective on Autofictional Writing, Texts, and Reading. In: EFFE, Alexandra and LAWLOR, Hannie, (eds.) The Autofictional. Approaches, Affordances, Forms. Palgrave Studies in Life Writing . Cham, Switzerland., Palgrave MacMillan, 61-81.

GIBBONS, Alison (2021). Interpreting Fictionality and Ontological Blurrings in and Between Lance Olsen’s Theories of Forgetting and there’s no place like time. Style (DeKalb), 55 (3), 406-429.

GIBBONS, Alison and WHITELEY, Sara (2021). Do worlds have (fourth) walls? A Text World Theory approach to direct address in Fleabag. Language and Literature, 30 (2), 105-126.

GIBBONS, Alison (2021). “Why do you insist that Alana is not real?” Visitors’ perceptions of the fictionality of Andi and Lance Olsen’s ‘there’s no place like time’ exhibition. In: GIBBONS, Alison, BELL, Alice, PEPLOW, David and BROWSE, Sam, (eds.) Style and Reader Response: Minds, media, methods. John Benjamins, 101-121.

GIBBONS, Alison (2020). Metamodernism, the Anthropocene, and the Resurgence of Historicity: Ben Lerner’s 10:04 and “the utopian glimmer of fiction”. Critique - Studies in Contemporary Fiction.

BROWSE, Sam, GIBBONS, Alison and HATAVARA, Mari (2019). Real fictions: fictionality, factuality and narrative strategies in contemporary storytelling. Narrative Inquiry, 29 (2), 245-267.

GIBBONS, Alison (2019). The “dissolving margins” of Elena Ferrante and the Neapolitan Novels: A cognitive approach to fictionality, authorial intentionality, and autofictional reading strategies. Narrative Inquiry, 29 (2), 391-417.

GIBBONS, Alison, VERMEULEN, T and VAN DEN AKKER, R (2019). Reality beckons: metamodernist depthiness beyond panfictionality. European Journal of English Studies, 23 (2), 172-189.

GIBBONS, Alison (2019). Using life and abusing life in the trial of Ahmed Naji: Text World Theory, Adab, and the ethics of reading. Journal of Language and Discrimination.

GIBBONS, Alison (2019). Nurturing Life Writing in Egypt after the Arab Spring: Fiction as “Survival Mechanism”. a/b: Auto/Biography Studies, 34 (2), 316-324.

GIBBONS, Alison (2018). Entropology and the end of nature in Lance Olsen’s Theories of Forgetting. Textual practice, 33 (2), 280-299.

GIBBONS, Alison (2018). Autonarration, 'I', and odd address in Ben Lerner's autofictional novel 10.04. In: GIBBONS, Alison and MACRAE, Andrea, (eds.) Pronouns in literature: Positions and perspectives in language. Palgrave Macmillan, 75-96.

GIBBONS, Alison and WHITELEY, Sara (2018). Contemporary stylistics: Language, cognition, interpretation. Edinburgh University Press.

GIBBONS, Alison (2017). Reading S across media: transmedia storyworlds, multimodal fiction, and real readers. Narrative, 25 (3), 321-341.

GIBBONS, Alison (2017). Contemporary autofiction and metamodern affect. In: VAN DEN AKKER, Robin, GIBBONS, Alison and VERMEULEUN, Timotheus, (eds.) Metamodernism: Historicity, affect, and depth after postmodernism. Radical Cultural Studies . London, Rowman & Littlefield International, 117-130.

GIBBONS, Alison (2017). Metamodern affect. In: VAN DEN AKKER, Robin, GIBBONS, Alison and VERMEULEN, Timotheus, (eds.) Metamodernism: Historicity, Affect, and Depth after Postmodernism. Radical Cultural Studies . London, Rowman & Littlefield International, 83-86.

GIBBONS, Alison (2016). "Take that you intellectuals" and "KaPOW!": Adam Thirlwell and the metamodernist future of style. In: FJELLESTAD, Danuta and WATSON, David, (eds.) The futures of the present: New directions in (American) literature. Abingdon, Routledge, 29-43.

GIBBONS, Alison (2016). 'I haven't seen you since (a specific date, a time, the weather)': Global identity and the reinscription of subjectivity in Brian Castro's Shanghai Dancing. Ariel : A Review of International English Literature, 47 (1-2), 223-251.

GIBBONS, Alison (2016). Multimodality, Cognitive Poetics, and Genre: Reading Grady Hendrix’s novel Horrorstör. Multimodal communication, 5 (1), 15-29.

GIBBONS, Alison (2016). Building Hollywood in Paddington: Text world theory, immersive theatre, and Punchdrunk's the drowned man. In: GAVINS, Joanna and LAHEY, Ernestine, (eds.) World building: Discourse in the mind. Bloomsbury academic, 71-89.

GIBBONS, Alison (2015). Creativity and multimodal literature. In: JONES, Rodney H, (ed.) Routledge handbook of language and creativity. Abingdon, Routledge, 293-306.

GIBBONS, Alison (2015). An interview with Adam Thirlwell. Contemporary Literature, 55 (4), 611-634.

GIBBONS, Alison (2014). Multimodality in literature: An analysis of Jonathan Safran Foer's 'A primer for the punctuation of heart disease'. In: NORRIS, Sigrid and MAIER, Carmen Daniela, (eds.) Interactions, images, and texts: A reader in multimodality. Boston, De Gruyter Mouton, 371-380.

GIBBONS, Alison (2014). Tension, style and the modern psyche: A stylistic analysis of Philip Zimmermann's high tension. The blue notebook: Journal for artists’ books, 8 (2), 6-13.

GIBBONS, Alison (2012). “You’ve never experienced a novel like this”: Time and interaction when reading TOC. Electronic book review.

GIBBONS, Alison (2012). "You were there": The allways ontologies of only revolutions. In: POHLMANN, Sascha, (ed.) Revolutionary leaves: The fiction of Mark Z. Danielewski. Newcastle Upon Tyne, Cambridge Scholars Publishing, 167-182.

GIBBONS, Alison (2011). This is not for you. In: BRAY, Joe and GIBBONS, Alison, (eds.) Mark Z. Danielewski. Manchester University Press, 17-32.

GIBBONS, Alison (2010). Narrative worlds and multimodal figures in house of leaves: "-find your own words; I have no more". In: GRISHAKOVA, Marina and RYAN, Marie-Laure, (eds.) Intermediality and Storytelling. De Gruyter, 285-311.

GIBBONS, Alison (2008). Multimodal literature 'moves' us: dynamic movement and embodiment in VAS: An opera In flatland. Hermes journal of language and communication in business,, 41, 107-124.