Austen and Shakespeare, detectives

HOPKINS, Lisa (2019). Austen and Shakespeare, detectives. In: CANO, Marina and GARCIA-PERIAGO, Rosa, (eds.) Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance. Cham, Switzerland, Springer International Publishing, 313-334.

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Official URL: https://link.springer.com/chapter/10.1007/978-3-03...
Link to published version:: https://doi.org/10.1007/978-3-030-25689-0_14
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    Abstract

    This chapter discusses the cultural uses of Shakespeare and Austen in detective fiction, including stories in which Shakespeare and Austen themselves become detectives (Stephanie Barron’s Austen Mysteries), stories which purport to find a lost Shakespeare or Austen text (Edmund Crispin’s Love Lies Bleeding, A. J. Hartley’s What Time Devours) and stories which allude to or imitate an existing Shakespeare or Austen text (Reginald Hill’s Pictures of Perfection and A Cure for All Diseases, P. D. James’s Death Comes to Pemberley). There are similarities and differences between them: in Austen-themed stories, America represents freedom; in Shakespeare mysteries it is a threat. Austen is associated with love and Shakespeare is not, and Austen-based crime tends to be more easily assimilated into the category of what is now called ‘cosy crime’, whereas Shakespeare-based crime fiction may have some very dark purposes indeed. All these differences, this chapter concludes, suggest that Austen, more than Shakespeare, is nowadays often understood as a brand, while Shakespeare tends to be regarded as the author of individual, but different, works of genius spanning a variety of genres.

    Item Type: Book Section
    Identification Number: https://doi.org/10.1007/978-3-030-25689-0_14
    Page Range: 313-334
    SWORD Depositor: Symplectic Elements
    Depositing User: Symplectic Elements
    Date Deposited: 10 Jun 2022 13:54
    Last Modified: 10 Jun 2022 13:54
    URI: http://shura.shu.ac.uk/id/eprint/29519

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