Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale

BELL, Henry and MCCORMACK, Bryan (2018). Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale. Research in Drama Education, 23 (2), 298-319.

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Official URL: https://www.tandfonline.com/doi/full/10.1080/13569...
Link to published version:: https://doi.org/10.1080/13569783.2018.1439372

Abstract

This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.

Item Type: Article
Research Institute, Centre or Group: Humanities Research Centre
Departments: Faculty of Social Sciences and Humanities > Department of Humanities
Identification Number: https://doi.org/10.1080/13569783.2018.1439372
Depositing User: Henry Bell
Date Deposited: 16 Mar 2018 14:06
Last Modified: 17 Dec 2018 11:06
URI: http://shura.shu.ac.uk/id/eprint/18949

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