M(eat) et al: art jewellery as a means to explore body boundary?

COLLEY, Rachael (2018). M(eat) et al: art jewellery as a means to explore body boundary? In: BOULTWOOD, Anne and HINDLE, Sian, (eds.) Culture Costume and Dress: Proceedings of the 1st International conference. Birmingham, Gold Word Publishing, 177-183.

[img]
Preview
PDF
Colley-M(eat)ArtJewellery(VoR).pdf - Published Version
All rights reserved.

Download (3MB) | Preview
[img]
Preview
PDF (Visual presentation to accompany paper)
M(eat) et al - art jewellery as a means to explore body boundary_presentation.pdf - Supplemental Material
All rights reserved.

Download (5MB) | Preview
Official URL: http://ccd2017.org/
Open Access URL: http://www.open-access.bcu.ac.uk/5701/1/Costume%20...
Related URLs:

    Abstract

    Throughout its 60 year history the art jewellery field has been creatively interrogating jewellery’s craft traditions and its role as social signifier. Den Besten’s (2014) recent manifesto for contemporary jewellery invited art jewellers to re- “Focus on the “why” and “how” of jewelry, on people and jewelry”. Through practice-led research I am investigating the public’s response to the crafting and transformation of food-stuffs, including the flesh of meat and fruits, as materials with which to create a collection of jewellery and decorative wearable artefacts titled ‘M(eat) et al’. There are several art jewellers who explore alternative organic, animal and human matter in their creative practice, such as Marta Mattsson, Eunmi Chun and Stefan Heuser; however, few have gone on to study and analyse the subsequent impact of their designs on the wearer/consumer. In Hindle’s ‘Strange Pleasures’ study (conducted in 2014), where members of the public were invited to experience and engage with a range of art jewellery examples, a participant selected my work to interact with. She stated that “it was almost like that weird attraction/revulsion thing” (Hindle, Colley, Boultwood, 2016 p.304), evidencing threads around abjection (Kristeva, 1984) and body boundary (Rozin et al, 1995) that occur due to the material make-up of the jewellery. As a result of this study, I am exploring ways in which to more effectively promote and exhibit ‘M(eat) et al’ alongside a developing complementary collection of ‘Ambiguous Implements’, to enable an immersive and experiential presentation to the public that more directly questions body boundary.

    Item Type: Book Section
    Additional Information: Culture, Costume and Dress 1st International Conference, Birmingham City University, 10-12 May 2017.
    Uncontrolled Keywords: art jewellery; meat as jewellery; material transformation; body boundary; abjection
    Research Institute, Centre or Group - Does NOT include content added after October 2018: Cultural Communication and Computing Research Institute > Art and Design Research Centre
    Departments - Does NOT include content added after October 2018: Faculty of Science, Technology and Arts > Department of Art and Design
    Page Range: 177-183
    Depositing User: Rachael Colley
    Date Deposited: 26 Mar 2018 11:14
    Last Modified: 16 Feb 2021 12:48
    URI: http://shura.shu.ac.uk/id/eprint/17543

    Actions (login required)

    View Item View Item

    Downloads

    Downloads per month over past year

    View more statistics