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EARNSHAW, Steve (2018). (Five Poems): ‘Cistern 1‘; ‘Cistern 2’; ‘Flit’; ‘I thought that things improve’; ‘The Vacuous Twat’. Angry old man: A magazine of experimental art and poetry (5).

EARNSHAW, Steven (2018). Start the Start. Entropy/Blackcackle.

EARNSHAW, Steven (2018). The Existential Drinker. Other. Manchester, Manchester University Press.

EARNSHAW, Steve (2018). The Danger is Flex. Roman Books.

EARNSHAW, Steve (2018). ^ Cat. Queen Mob's Teahouse.

EARNSHAW, Steve (2018). Rats! Matter 2018.

EARNSHAW, Steven (2017). Wooden Leg. [Image]

EARNSHAW, Steven (2017). Beiwelt. Otoliths, 46 (August).

EARNSHAW, Steven (2016). The Water. Thrice Fiction, 17, 43-44.

EARNSHAW, Steve (2016). Tiny Guns. Lackington's Magazine, 10, 37-46.

EARNSHAW, Steven (2016). Habitual Drunkards and Metaphysics : Four Case Studies from the Victorian Period. The Social History of Alcohol and Drugs, 28 (2), 143-160.

EARNSHAW, Steven (2016). Whatever happened to reusable prophylactics? Butcher's Dog, 7.

EARNSHAW, Steven (2016). Memory Clinic. London, Roman Books. (In Press)

EARNSHAW, Steve (2016). Not Really. Quarterly West, 87.

EARNSHAW, Steve (2015). Charlotte Brontë’s fictional epistles. Brontë Studies, 40 (3), 201-214.

EARNSHAW, Steve (2015). The Whale of Penlan Tork. Lackington's Magazine (6).

EARNSHAW, Steve (2015). Scar. The Wrong Quarterly, 2, 15-20.

EARNSHAW, Steven (2015). Drink, dissolution, antibiography: the existential drinker. In: HAILWOOD, Mark and TONER, Deborah, (eds.) Biographies of Drink. Newcastle upon Tyne, Cambridge Scholars Press, 204-222.

EARNSHAW, Steven (2014). Iconoclasm of Modern Funeral Vignettes. The Squawkback, 128.

EARNSHAW, Steve, ed. (2014). The Handbook of creative writing, 2nd edition. Edinburgh, Edinburgh University Press.

MILNE, John (2014). How to be a writer. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 401-406.

EARNSHAW, Steve (2014). Introduction. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 1-7.

HARRIS, Michael (2014). Introduction to scriptwriting. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 251-262.

ROGERS, Jane (2014). Introduction to the novel. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 116-125.

HARRIS, Michael (2014). Writing for radio. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 273-281.

MILNE, John (2014). Writing for television - UK differences. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 291-292.

EARNSHAW, Steve (2014). The writer as artist. In: EARNSHAW, Steve, (ed.) The handbook of creative writing: Second edition. Edinburgh, Edinburgh University Press, 65-77.

EARNSHAW, Steve (2013). Creative writing and “the lash of criticism". In: HARPER, Graeme, (ed.) A companion to creative writing. Chichester, Wiley-Blackwell, 213-228.

EARNSHAW, Steve (2012). “Give me my name”: naming and identity in and around Jane Eyre. Brontë Studies, 7 (3), 174-189.

EARNSHAW, Steve (2012). 'Men couldn't imagine women's lives': teaching gender and creative writing. In: FERREBE, Alice and TOLAN, Fiona, (eds.) Teaching gender. Teaching the new English . Palgrave Macmillan, 83-101.

EARNSHAW, Steve (2011). Why Eliot killed Lydgate: 'joyful cruelty' in Middlemarch. In: MOUSLEY, Andy, (ed.) Towards a new literary humanism. Palgrave Macmillan.

EARNSHAW, Steve (2010). Beginning realism. Beginnings . Manchester, Manchester University Press.

This list was generated on Sat Nov 16 06:19:37 2019 UTC.