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SHIN, Chi Yun (2018). In another time and place: The Handmaiden as an adaptation. Journal of Japanese and Korean Cinema.

SHIN, Chi Yun (2015). Locating cosmopolitanism in the films of E-J Yong. In: JACKSON, Andrew David and BALMAIN, Colette, (eds.) Korean screen cultures : interrogating cinema, tv, music and online games. Bern, Peter Lang, 77-94.

SHIN, Chi-Yun (2015). Double identity: the stardom of Xun Zhou and the figure of the Femme Fatale. In: SHIN, Chi-Yun and GALLAGHER, Mark, (eds.) East Asian Film Noir: Transnational Encounters and Intercultural Dialogue. Tauris World Cinema Series . London, I.B.Tauris, 215-231.

SHIN, Chi-Yun and GALLAGHER, Mark, eds. (2015). East Asian film noir: transnational encounters and intercultural dialogue. Tauris World Cinema Series . London & New York, I.B.Tauris.

SHIN, Chi Yun (2013). Death Bell and High School horror. In: PEIRSE, Alison and MARTIN, Daniel, (eds.) Korean horror cinema. Edinburgh, Edinburgh University Press.

SHIN, Chi Yun (2013). Film and migration: excavating history and memory. In: NESS, Immanuel, (ed.) Encyclopedia of Global Human Migration. Wiley Blackwell.

SHIN, Chi Yun (2012). Cosmopolitanism in the films of E J-Yong. In: Korean Film: Years of Radical Change, University of London, School of Oriental and African Studies, 10th May 2012. (Unpublished)

SHIN, Chi Yun (2012). 'Excessive' Remake: Horror, Comedy and Family in The Quiet Family and The Happiness of the Katakuris. In: Korean Cine-media and the Transnational conference, New York University, Tisch School of the Arts, 11-14 November 2010.

SHIN, Chi Yun (2012). ‘Excessive’ remake : from The Quiet Family to The Happiness of the Katakuris. Transnational Cinemas, 3 (1), 67-80.

SHIN, Chi Yun (2011). Trajectories of omnibus: memories, journeys and migration in Tickets (2005). In: Sonic Futures: Soundscapes and the Languages of Screen Media. European Network for Cinema and Media Studies (NECS) conference, London (King's College London, Birbeck College, Regent's College), 23-26 June 2011. (Unpublished)

SHIN, Chi Yun (2010). Engaging theory and making films: radical black cinema in Britain. In: BRUNT, R. and CERE, R., (eds.) Postcolonial Media Culture in Britain. Basingstoke, Hampshire, Palgrave Macmillan, 99-114.

SHIN, Chi Yun (2010). New directions: Korean cinema's international auteurs. In: MARTIN, Daniel and MORRIS, Mark, (eds.) Discovering Korean Cinema. London, The Korean Cultural Centre UK, 26-33.

SHIN, Chi Yun (2009). The art of branding : Tartan 'Asia Extreme' films. In: CHOI, Jinhee and WADA-MARCIANO, Mitsuyo, (eds.) Horror to the extreme: changing boundaries in Asian cinema. TransAsia: Screen Cultures . Hong Kong, Hong Kong University Press, 85-100.

SHIN, Chi Yun (2008). The girl who isn’t quite who she seems: Zhou Xun, the Chinese femme fatale. In: 17th international Screen Studies Conference, Gilmorehill Centre, University of Glasgow, Scotland, 4-6 July 2008. (Unpublished)

SHIN, Chi Yun (2008). The art of branding : Tartan 'Asia Extreme' films. Jump cut: a review of contemporary media, 50, 85-100.

SHIN, Chi Yun and STRINGER, Julian (2007). Storming the big screen: the SHIRI syndrome. In: GATEWARD, Frances, (ed.) Seoul Searching: Culture and Identity in Contemporary Korean Cinema. Albany, NY, State University of New York Press, 55-72.

SHIN, Chi Yun and STRINGER, Julian, eds. (2005). New Korean cinema. Edinburgh / New York, Edinburgh University Press / New York University Press.

SHIN, Chi Yun (2003). Reclaiming the corporeal: The black male body and the 'racial' mountain in 'Looking for Langston' (Isaac Julien film). Paragraph, 26 (1-2), 201-212.

This list was generated on Tue Oct 27 21:07:14 2020 UTC.