Items where SHU Author is "Steggle, Matthew"

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Number of items: 34.

Article

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STEGGLE, Matthew (2016). Two Emendations to Measure for Measure. Notes and Queries, 63 (3), 425-427.

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STEGGLE, Matthew (2016). 'The Comedy of a Duke of Ferrara' in 1598. Early Theatre. (In Press)

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STEGGLE, Matthew (2016). Philip Henslowe's Artificial Cow. Medieval and Renaissance Drama in England, 30. (In Press)

CHETA, Arun and STEGGLE, Matthew (2014). Thomas Nashe reads The Nosegay of Morall Philosophie. Notes and Queries, 61 (2), 221-223.

STEGGLE, Matthew (2014). The cruces of Measure for Measure and EEBO-TCP. The Review of English Studies, 65 (270), 438-455.

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STEGGLE, Matthew (2012). A Lost Turk Play : actors Mufti Nassuf &c (1614–42). Ben Jonson Journal, 19 (1), 45-64.

MCINNIS, D and STEGGLE, Matthew (2011). Folger MS X.d.390 (1-2), and Folger MS X.d.391. Notes and Queries, 58 (3), 374-376.

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STEGGLE, Matthew (2010). Prospero and plagiarism : Early Modern Studies and the rise of Wikipedia. Digital Studies / Le champ numérique, 2 (1).

STEGGLE, Matthew (2010). A lost Jacobean tragedy : Henry the Una (c. 1619). Early Theatre, 13 (1), 65-82.

STEGGLE, Matthew (2009). Doctor Faustus and the Devils of Empedocles. Notes and Queries, 56 (4), 544-547.

STEGGLE, Matthew (2004). James Yates, Elizabethan servant poet. Studies in philology, 101 (1), 48-58.

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STEGGLE, Matthew (2001). Brome, Covent Garden, and 1641. Renaissance forum, 5 (2).

Book Section

STEGGLE, Matthew (2016). Ben Jonson and Performance. In: GIDDENS, Eugene, (ed.) The Oxford Handbook of Ben Jonson. Oxford, Oxford University Press. (In Press)

STEGGLE, Matthew (2016). The humours in humour: Shakespeare and early modern psychology. In: The Oxford Handbook of Shakespearean Comedy. Oxford University Press. (In Press)

STEGGLE, Matthew (2015). William Shakespeare, Measure for measure. In: GREENBLATT, Stephen, (ed.) The Norton Shakespeaere. New York, Norton, 2171-2240.

STEGGLE, Matthew (2015). Othello, the Moor of London : Shakespeare's Black Britons. In: EVANS, Robert C., (ed.) Othello : a critical reader. Arden Early Modern Drama Guides . London, Bloomsbury, 103-124.

STEGGLE, Matthew (2015). The Monster in the Corner: Plague and The Three Ladies of London. In: OSTOVICH, Helen and GOUGH, Melinda, (eds.) Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context. McMaster University.

STEGGLE, Matthew (2014). Lost, or rather surviving as a very short document. In: MCINNIS, David and STEGGLE, Matthew, (eds.) Lost Plays in Shakespeare's England. London, Palgrave Macmillan, 72-83.

STEGGLE, Matthew (2013). Notes towards an analysis of early modern applause. In: CRAIK, Katherine A. and POLLARD, Tanya, (eds.) Shakespearean sensations : experiencing literature in early modern England. Cambridge, Cambridge University Press, 118-137.

STEGGLE, Matthew (2013). The Alchemist : the state of the art. In: JULIAN, Erin and OSTOVICH, Helen, (eds.) The Alchemist: A Critical Reader. Arden Early Modern Drama Guides . London, Bloomsbury, 75-103.

RASMUSSEN, Eric and STEGGLE, Matthew (2012). Cynthia’s Revels, or The Fountain of Self-Love, revised scenes from the 1616 folio. In: The Cambridge Edition of the Works of Ben Jonson. Cambridge, Cambridge University Press.

STEGGLE, Matthew (2012). Richard Brome. In: SULLIVAN, Garrett A., STEWART, Alan, LEMON, Rebecca, MCDOWELL, Nicholas and RICHARDS, Jennifer, (eds.) The Encyclopedia of English Renaissance Literature. Wiley-Blackwell Encyclopedia of Literature . Oxford, Blackwell.

STEGGLE, Matthew and RASMUSSEN, Eric (2012). Ben Jonson, Cynthia's Revels, or the Fountain of Self-Love. In: BUTLER, Martin, BEVINGTON, David and DONALDSON, Ian, (eds.) The Cambridge Edition of the Works of Ben Jonson. Cambridge, Cambridge University Press, 429-548.

STEGGLE, Matthew (2012). The Comedy of Errors. In: BAKER, William and WOMACK, Kenneth, (eds.) The Facts on File Companion to Shakespeare. Facts on File Library of World Literature . New York, Facts on File, 537-578.

STEGGLE, Matthew (2012). Urbane John Marston : obscenity, satire, co-operation. In: HOENSELAARS, Ton, (ed.) The Cambridge Companion to Shakespeare and Contemporary Dramatists. Cambridge Companions to Literature and Classics . Cambridge University Press, 70-82.

STEGGLE, Matthew (2010). Richard Brome, The English Moor. In: CAVE, Richard A., (ed.) Richard Brome Online. Sheffield, Humanities Research Institute.

HOPKINS, Lisa, SIEMENS, Raymond G. and STEGGLE, Matthew (2008). EMLS : a case study in the development of an ejournal. In: BOWEN, William R. and SIEMENS, Raymond G., (eds.) New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies . Tempe, Arizona, Iter, 144-160.

Authored Book

STEGGLE, Matthew (2015). Digital humanities and the lost drama of early modern England : ten case studies. Studies in performance and early modern drama . Farnham, Ashgate.

STEGGLE, Matthew (2007). Laughing and Weeping in Early Modern Theatres. Studies in Performance and Early Modern Drama . Routledge.

HOPKINS, Lisa and STEGGLE, Matthew (2006). Renaissance Literature and Culture. Introductions to British Literature and Culture . London, Continuum.

STEGGLE, Matthew (2004). Richard Brome : place and politics on the Caroline stage. Revels Plays Companion Library . Manchester, Manchester University Press.

Edited Book

MCINNIS, David and STEGGLE, Matthew, eds. (2014). Lost plays in Shakespeare's England. Early Modern Literature in History . London, Palgrave Macmillan.

STEGGLE, Matthew, ed. (2011). Volpone : a critical guide. Continuum Renaissance drama . London, Continuum.

STEGGLE, Matthew, ed. (2010). The English Moor, or The mock-marriage. Richard Brome Online.

This list was generated on Sat Dec 3 17:50:17 2016 UTC.