Items where SHU Author is "Connolly, Annaliese"

CONNOLLY, Annaliese (2013). George Chapman and the literary onomastics of The Widow’s Tears. Philological quarterly. (Submitted)

CONNOLLY, Annaliese (2013). Writing for money: George Peele and the Lansdowne manuscript. Early theatre. (Submitted)

CONNOLLY, A. (2007). David and Bethsabe: reconsidering biblical drama of the long 1590s. Early modern literary studies, 13 (2).

CONNOLLY, A. (2002). "O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire. Early modern literary studies, 8 (2).

CONNOLLY, Annaliese (2011). In the repertoire: women beware women on stage. In: HISCOCK, Andrew, (ed.) Women beware women: a critical guide. Continuum Renaissance Drama Guides . Continuum, 59-76.

CONNOLLY, Annaliese (2011). Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory. In: MCJANNET, Linda and ANDREA, Bernadette, (eds.) Early modern England and Islamic worlds. Early modern cultural studies . Palgrave Macmillan.

CONNOLLY, Annaliese (2009). New directions : Shakespeare and the Fairy King : re-viewing the cultural and political contexts of A Midsummer Night's Dream. In: BUCCOLA, Regina, (ed.) A Midsummer Night's Dream : a critical guide. Continuum Renaissance drama . Continuum, 131-149.

CONNOLLY, A. (2007). Evaluating virginity: a Midsummer Night's Dream and the iconography of marriage. In: CONNOLLY, A. and HOPKINS, L., (eds.) Goddesses and Queens: the iconography of Elizabeth I. Manchester, Manchester University Press, 136-153.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester University Press. (In Press)