Items where SHU Author is "Hopkins, Lisa"

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Number of items: 37.


HOPKINS, Lisa (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534.

HOPKINS, Lisa (2013). Point, counterpoint, needlepoint: the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566.

HOPKINS, Lisa (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99.

HOPKINS, Lisa and MACMAHON, Barbara (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17.

HOPKINS, Lisa (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18.

HOPKINS, L. (2010). Staging the Medici: the Medici Family in English renaissance drama, c.1590–c.1640. Sun Yat-Sen Journal of Humanities, 27, 63-74.

HOPKINS, Lisa (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348.

HOPKINS, Lisa (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88.

HOPKINS, Lisa (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150.

HOPKINS, Lisa (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34.

HOPKINS, Lisa (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9.

HOPKINS, Lisa (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40.

HOPKINS, Lisa (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459.

HOPKINS, Lisa (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10.

HOPKINS, Lisa (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80.

HOPKINS, Lisa (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2).

HOPKINS, Lisa (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

HOPKINS, Lisa (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1).

HOPKINS, L. (1997). 'Malta of Gold': Marlowe, The Jew of Malta, and the Siege of 1565. (Re)Soundings, 1 (2).

HOPKINS, Lisa (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

HOPKINS, Lisa (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

HOPKINS, Lisa (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2).

Book Section

HOPKINS, Lisa (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In: PRAKASH, A. and DAHIYA, S. P. S., (eds.) The critic Shakespeare: essays in appreciation. Haryana, India, The Shakespeare Association, 71-91.

HOPKINS, L. (2008). Marriage in Shakespeare: a community affair. In: DAHIVA, B. S., (ed.) Postmodern essays on love, sex, and marriage in Shakespeare,. New Delhi, Viva Books, 1-17.

CONNOLLY, A. (2007). Evaluating virginity: a Midsummer Night's Dream and the iconography of marriage. In: CONNOLLY, A. and HOPKINS, L., (eds.) Goddesses and Queens: the iconography of Elizabeth I. Manchester, Manchester University Press, 136-153.

HOPKINS, Lisa (2007). ‘Gollum and Caliban: Evolution and Design’. In: CROFT, Janet Brennan, (ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. Critical explorations in science fiction and fantasy . Jefferson, N.C., McFarland, 281-293.

HOPKINS, Lisa (2005). Cleopatra and the myth of Scota. In: DEATS, Sarah Munson, (ed.) Antony and Cleopatra : new critical essays. Shakespeare criticism . Routledge, 231-242.

HOPKINS, Lisa (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In: CUDDY, Lois A. and ROCHE, Claire M., (eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. Essays on ideological conflict and complicity . Bucknell University Press, 89-101.

HOPKINS, Lisa (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In: STARKS, Lisa S and LEHMANN, Courtney, (eds.) Spectacular Shakespeare : critical theory and popular cinema. Fairleigh Dickinson University Press, 47-61.

HOPKINS, Lisa (1997). Neighbourhood in Henry V. In: BURNETT, Mark Thornton and WRAY, Ramona, (eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan.

Authored Book

HOPKINS, Lisa (2014). Renaissance drama on the edge. Ashgate.

HOPKINS, Lisa (2011). Drama and the Succession to the Crown, 1561-1633. Studies in performance and early modern drama . Ashgate.

HOPKINS, Lisa (2009). Relocating Shakespeare and Austen on Screen. Basingstoke, Palgrave Macmillan.

HOPKINS, Lisa (2008). The cultural uses of the Caesars on the English Renaissance stage. Studies in performance and early modern drama . Aldershot, Ashgate.

Edited Book

HOPKINS, Lisa and OSTOVICH, Helen, eds. (2014). Magical transformations on the early modern English stage. Studies in performance and early modern drama . Ashgate.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester, Manchester University Press.

HOPKINS, Lisa, ed. (2011). The Lady's Trial. Revels Plays ; Revels Plays Companion Library . Manchester, Manchester University Press.

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