Items where SHU Author is "Hopkins, Lisa"

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Number of items: 32.

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HOPKINS, Lisa (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534.

HOPKINS, Lisa (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99.

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HOPKINS, Lisa and MACMAHON, Barbara (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17.

CONNOLLY, Annaliese and HOPKINS, Lisa (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester University Press. (In Press)

HOPKINS, Lisa (2011). Drama and the Succession to the Crown, 1561-1633. Studies in performance and early modern drama . Ashgate.

HOPKINS, Lisa, ed. (2011). The Lady's Trial. Revels Plays ; Revels Plays Companion Library . Manchester, Manchester University Press.

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HOPKINS, Lisa (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18.

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HOPKINS, L. (2010). Staging the Medici: the Medici Family in English renaissance drama, c.1590–c.1640. Sun Yat-Sen Journal of Humanities, 27, 63-74.

HOPKINS, Lisa (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348.

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HOPKINS, Lisa (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In: PRAKASH, A. and DAHIYA, S. P. S., (eds.) The critic Shakespeare: essays in appreciation. Haryana, India, The Shakespeare Association, 71-91.

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HOPKINS, Lisa (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88.

HOPKINS, Lisa (2009). Relocating Shakespeare and Austen on Screen. Basingstoke, Palgrave Macmillan.

HOPKINS, Lisa (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150.

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HOPKINS, L. (2008). Marriage in Shakespeare: a community affair. In: DAHIVA, B. S., (ed.) Postmodern essays on love, sex, and marriage in Shakespeare,. New Delhi, Viva Books, 1-17.

HOPKINS, Lisa (2008). The cultural uses of the Caesars on the English Renaissance stage. Studies in performance and early modern drama . Aldershot, Ashgate.

HOPKINS, Lisa (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34.

CONNOLLY, A. (2007). Evaluating virginity: a Midsummer Night's Dream and the iconography of marriage. In: CONNOLLY, A. and HOPKINS, L., (eds.) Goddesses and Queens: the iconography of Elizabeth I. Manchester, Manchester University Press, 136-153.

HOPKINS, Lisa (2007). ‘Gollum and Caliban: Evolution and Design’. In: CROFT, Janet Brennan, (ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. Critical explorations in science fiction and fantasy . Jefferson, N.C., McFarland, 281-293.

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HOPKINS, Lisa (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9.

HOPKINS, Lisa (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40.

HOPKINS, Lisa (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459.

HOPKINS, Lisa (2005). Cleopatra and the myth of Scota. In: DEATS, Sarah Munson, (ed.) Antony and Cleopatra : new critical essays. Shakespeare criticism . Routledge, 231-242.

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HOPKINS, Lisa (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10.

HOPKINS, Lisa (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In: CUDDY, Lois A. and ROCHE, Claire M., (eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. Essays on ideological conflict and complicity . Bucknell University Press, 89-101.

HOPKINS, Lisa (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In: STARKS, Lisa S and LEHMANN, Courtney, (eds.) Spectacular Shakespeare : critical theory and popular cinema. Fairleigh Dickinson University Press, 47-61.

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HOPKINS, Lisa (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80.

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HOPKINS, Lisa (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2).

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HOPKINS, Lisa (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

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HOPKINS, Lisa (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1).

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HOPKINS, L. (1997). 'Malta of Gold': Marlowe, The Jew of Malta, and the Siege of 1565. (Re)Soundings, 1 (2).

HOPKINS, Lisa (1997). Neighbourhood in Henry V. In: BURNETT, Mark Thornton and WRAY, Ramona, (eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan.

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HOPKINS, Lisa (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2).

This list was generated on Sun Dec 21 20:46:41 2014 GMT.